‘Resistance’: director talks about ‘luck’ with criticism of artificial intelligence, guerrilla filming and influences

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Science fiction written and directed by Gareth Edwards, from ‘Rogue One’, premieres on Thursday (28) starring John David Washington. Gareth Edwards, director of ‘Resistência’, talks about the film When British director Gareth Edwards started writing “Resistência”, his new science fiction film that premieres this Thursday (28) in Brazil, he thought he would have problems convincing the public that the planet could one day ban and persecute artificial intelligence (AI). After all, in 2018, “The Terminator” (1984) was a more anecdotal memory and many were excited about the possibilities of technology. Five years later, with the film about to be released around the world, the scenario has changed radically. In the film industry itself, Hollywood actors and screenwriters spent months on strike because – among other factors – they feared the effects of AI on their work. “At the time, it was a fantasy. It was like flying cars and living on the moon, or something. The fact that it’s become so current now and is so common is something strange,” says Edwards in an interview with g1. Watch the video above. For the 48-year-old filmmaker, best known for “Rogue One: A Star Wars Story” (2016), the turnaround was a huge stroke of luck. “When I wrote the first draft of the script, the big comment — I got a lot of comments, of course — was, ‘Why would anyone get rid of AI?’ So I had to try really hard to prepare a world that you wouldn’t want the idea of ​​AI”, he says. “Now, when we watch the film, it’s very interesting, because it has this extra power. Everyone comes to the audience already with this desire, already feeling this feeling. I think everyone throws themselves into the film in agreement. You don’t need to try so hard . I was very lucky in that sense.” G1 has already seen: ‘Resistance’ is one of the most dazzling and least original films of recent years Gareth Edwards on the recording of ‘Resistance’ Glen Milner/20th Century Studios ‘A strange mix’ “Resistance” tells the story of a not-so-distant future , in which the United States has declared war on robots and any type of artificial intelligence (AI), a former American agent (John David Washington) is recruited to find a scientist responsible for creating the technology. From touchdowns to ‘Tenet’: John David Washington talks about his past as an athlete and his rise in Hollywood During the mission behind enemy lines, he has to deal with an android child (Madeleine Yuna Voyles) who could be the opponent’s greatest weapon. The script written by the director and Chris Weitz (one of the writers of “Rogue One”) has echoes of classics such as “Star Wars” and “The Terminator”, but Edwards cites other influences. Among science fiction, in addition to the classic starring Arnold Schwarzenegger, he lists “Blade Runner” (1982) and “Close Encounters of the Third Kind” (1977). In the road film genre, “Paper Moon” (1973), “A Perfect World” (1993) and “Rain Man” (1988). Even arthouse films like Terrence Malick and “Baraka” are remembered. “I don’t want to say our movie is even close to as good as them, but it’s kind of a weird mix of all these movies that I loved. I thought, ‘Maybe I’ll only get the chance to do one more movie, so I’ll try.’ .” John David Washington in a scene from ‘Resistance’ Disclosure From the Himalayas to Indonesia Despite counting as a success on his CV, “Rogue One” must have been a difficult experience. After all, it is well known that the mega-production had problems during filming, and the studio, Disney, decided to hire Tony Gilroy (“Risk Conduct”) to lead re-recordings of the outcome. This perhaps influenced the decision to return to his own origins in his first film after the spin-off – specifically the guerrilla tactics used to record the small and independent “Monsters” (2010), his debut as a feature director that put him on the film’s radar. Hollywood. “There was a lot of new technology since I did the ‘Star Wars’ movie that allowed me to shoot a little bit more like my first movie, which I had very little money for. It created the freedom to do things that you can’t do in a blockbuster. giant,” he says. A new camera, for example, didn’t require as much light as the recent standard. Without so much equipment set up just to light actors and environments, he had more freedom to record the scenes. Less material also sometimes translated into a smaller crew, which in turn allowed for greater production shifting. So much so that “Resistance” passed through eight countries. From “Buddhist temples in the Himalayas” to “Volcanic regions in Indonesia”. ‘Resistance’ Scene ‘I don’t want to fall into the water’ The exception was the big action scenes, with stuntmen running everywhere and countless explosions. “But everyone had to hide. The rule when recording was that I had to be able to turn the camera 360 degrees without seeing anyone on the team. So everyone learned very early on that they had to run really fast or hide,” says Edwards , with an amused smile on his face. “There were some really funny moments when we were filming on a boat.” He had warned that it would be difficult to maintain the rule in such a small and cramped environment. Even so, many people insisted that they needed to be on the boat. “There were times when we would do a scene and I would pull the camera out quickly and I would hear people falling over the edges. You could hear them swearing and stuff like that. And I just thought it was funny. Because it was like, ‘It’s your fault. I told you not to. come to the boat’. The team got smaller every day. ‘I don’t want to fall into the water.'” Scene from ‘Resistance’ Disclosure

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