Luhli’s organic work with Lucina springs with vigor in the unpublished vintage of the album ‘Nave em Movimento’

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Lucina presents jewels from the duo’s chest on an album that will be released on Monday, June 19th, the day of the 78th anniversary of the partnership with whom she sang from 1972 to 1998. Cover of the album ‘Nave em Movimento’, by Lucina Luiz Fernando Borges Resenha de Album Title: Ship in Motion – The Handmade Music of Luli & Lucina Artist: Lucina Edition: Independent Edition Rating: ★ ★ ★ ★ ♪ Heloísa Orosco Borges da Fonseca (June 19, 1945 – September 26, 2018) – singer, songwriter and instrumentalist from Rio de Janeiro designed in the 1970s as the artistic name of Luli – he would have turned 78 on Monday. On that date, Luli – or Luhli, as the artist began to sign in 1996 – will have her work and musicality revived by her partner in life and music, Lúcia Helena Carvalho e Silva, singer, songwriter and multi-instrumentalist from Mato Grosso do Sul, baptized artistically as Lucelena in the 1960s and as Lucinha from 1972 to 1982, but currently known as Lucina. Lucina affectionately rummaged in the vast trunk of the duo Luli & Lucinha / Luli & Lucina (1972 – 1998) and, from a collection of around 800 compositions, chose 11 unpublished songs from this work amplified in the 1970s in the voice of Ney Matogrosso. Along with two other songs already recorded on disc, the unpublished songbook was recorded by Lucina, in ten studios in Rio de Janeiro and São Paulo, with musicians from different schools and generations. The instrumental crew is led by the base trio of the album – Marcelo Dworecki (bass and steel guitar), Otávio Ortega (piano and accordion) and Peri Pane (cello) – and completed by Bruno Aguilar (acoustic bass), Curumin (drums) , Décio Gioielli (kalimba, percussion and African flute), Elione Medeiros (bassoon), Jaime Além (guitar), Jorge Mathias (bass), Marcelo Caldi (accordion), Maurício Cajueiro (guitar) Murilo O’ Reilly (percussion and percussion Electronics ), Ney Marques (mandolin and guitar) and Wallace Cardia (drums). The 13 songs come to life in Nave em Movimento – The artisanal music of Luli & Lucina, an album that lands in the digital world on Monday, June 19, Luhli’s 78th birthday, with a cover that exposes the artists in a moment of tenderness captured by the lens of the photographer and then companion Luiz Fernando Borges da Fonseca (1941 – 1990), partner of the duo in the life of three savored with affection and freedom in a seaside farm located in Filgueiras, in the Rio de Janeiro city of Mangaratiba (RJ). “My body is my home / … / My singing is my wing”, rhymes Lucina with Zélia Duncan, voice-sister in gravity, in Tocandar, touches a travel, a road and gallop song that celebrates the nomadic life and stands out on the album Nave moving with musical evocations of corners of Brazil. The voices of Lucina and Zélia Duncan still unite in the title song Nave em Movimento, composed in Paris, in 1994. In this native route, always followed by the duo Luli & Lucina with no connections with the sound made for the market, É tudo um (É tudo um ( another song from the 1990s) also stands out in the unreleased vintage by mapping drums and rhythms from northeastern Brazil with an Afro-percussive accent and metalinguistic lyrics. Mãe terra (a theme rooted in the 1970s) is based on the same strong percussive base, echoing the fertility of the national soil fertilized by the indigenous people. The indigenous universe inspires the delicacy of Tempo Tapuia (2010). Incidentally, the tempo of Luli & Lucina’s music is guided by serenity. The song Tudo é Já (2015) contradicts the existential urgency suggested by the title in the smoothness of its arrangement. 9.16 (1973 / 1974) exposes this time in a recording that includes text spoken by Zélia Duncan, a recurrent voice on the record, also heard more explicitly in Barra Leblon’s singing. In the peaceful journey of Nave em Movimento, Lucina also serves Banquete, music composed in the 1990s and recorded by Luhli in 2006. Fruit of the nature of the forests, rivers and winds, as exemplified by the verses of the ultimate song Na Primeira brisa (composed in 2017 and recorded with vocals by Júlia Borges, daughter of Luhli and Luiz Fernando) and the song Luta é dia a dia (theme from the 1970s, with a ruralist touch accentuated by the accordion by Marcelo Caldi), the authorial repertoire of the duo sounds truly artisanal , as underlined by the subtitle of the album produced by Patrícia Ferraz under the artistic direction of Lucina. The arrangements help this song to resonate in harmony and flatten the set of work gathered on the disc, even though there are natural unevennesses between the thirteen compositions, a vintage that includes Na Noite de Um Morrow – music from the 1970s, made by the duo in partnership with Mário Avelar and recorded with the addition of the verses from Lugares são povoos, recited by the author, the poet arrudA – and Misturada cabana – partnership of the duo with Joãozinho Gomes recorded by the co-author in 1991 and which echoes, as the lyrics say, a mix of ghetto and quilombo, rooted in the strength of the drums. Because it is organic, Luli & Lucina’s music crosses time and Brazil, sprouting and landing vigorously in the unprecedented vintage of Nave em Movimento.

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