Trombonist Joabe Reis plays Djavan and Gilberto Gil on ‘028’, an album that maps the artist’s hometown from Espírito Santo

Trombonist Joabe Reis plays Djavan and Gilberto Gil on ‘028’, an album that maps the artist’s hometown from Espírito Santo

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Musician from Cachoeiro de Itapemirim combines jazz, MPB and pop influences on an album that includes songs named after neighborhoods in the municipality of Espírito Santo. ♪ Trombonist and composer from Espírito Santo, Joabe Reis maps his hometown – Cachoeiro de Itapemirim (ES), birthplace of Carlos Imperial (1935 – 1992), Roberto Carlos and Sérgio Sampaio (1947 – 1994) – throughout the nine tracks of the album 028. Neighborhoods of the city – such as Aquidaban, IBC and Vila Rica – name original songs on the album named with the DDD code of the municipality of Espírito Santo. However, Joabe Reis goes beyond the borders of Cachoeiro de Itapemirim in the album 028. With experience of playing the trombone since he was 13, the musician addresses foreign themes such as Asa (Djavan, 1986) and If I want to talk to God (Gilberto Gil, 1980 ), song heard on the album in the voice of Mirella Costa. On the album 028, Joabe Reis joins musicians such as Daniel Pinheiro (drums), Josué Lopez (sax) and Sidmar Vieira (trumpet), among guests such as harmonica player Gabriel Rossi and Bob Mintzer, saxophonist and arranger for the North American group Yellowjackets. In rotation since Sunday, January 28th, the album was announced almost a year ago, on February 28th, with the release of the single that featured the recording of Partido alto (Airto Moreira, Flora Purim and José Roberto Bertrami, 1979). On album 028, Joabe Reis combines influences from jazz, MPB and pop. The track BNH, for example, incorporates electronic beats that evoke the universe of trip hop. “I had few records, but they were MPB, pop and jazz. Until I got an album by JJ Johnson, an important trombonist for every instrumentalist, and then my mind began to open and I arrived at hip hop”, says Joabe Reis, retracing the path he began in the gospel music environment.

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