Filipe Catto experiences apotheosis when debuting in Rio the electrifying tribute to Gal Costa

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The singer enjoys a moment of well-deserved acclaim with ‘Beauties are things lit from the inside’, a show of rock energy that filled the dance floor at the Manouche club over the weekend. Show review Title: Beauties are things lit inside Artist: Filipe Catto Location: Manouche (Rio de Janeiro, RJ) Date: January 27, 2024 Rating: ★ ★ ★ ★ ★ ♪ While he prepares his own album, Filipe Catto remains on the scene with the show Beauty are things lit inside (2023), premiered in São Paulo (SP) in May last year. Over the weekend, this tribute by the singer from Rio Grande do Sul to her Bahian predecessor Gal Costa (September 26, 1945 – November 9, 2022) arrived in the city of Rio de Janeiro (RJ) in the wake of the well-deserved acclaim of the album recorded in the studio, released in September and included in December in all lists of the best albums of 2024. There were two performances that electrified the audience that filled the dance floor at Manouche – a charming club with a cabaret feel – on Friday and Saturday, January 26th and 27th. Comfortable as a trans singer, Filipe Catto experiences an apotheotic moment in this first work entirely outside the authorial sphere. The apotheosis was even more evident in the show’s Rio premiere, with the audience on its feet, energized by the rock and visceral vibe of the tribute. On stage with the power trio formed by Fábio Pinczowski (guitar and musical direction), Gabriel Mayall (bass) and Michelle Abu (drums), the singer went beyond the album in a performance that mobilized the audience for the first number – Lágrimas Negras (Jorge Mautner and Nelson Jacobina, 1974), done in a minimalist atmosphere – to the last song of the encore, Divine marvelous (Caetano Veloso and Gilberto Gil, 1968). With a ringing voice, Catto sang Gal with rock energy that evoked the period in which the Bahian tropicalist kept the counterculture flag flying in Brazil while Caetano Veloso and Gilberto Gil were in exile in Europe. By rekindling 19 beauties from Gal’s repertoire, without fear of moving into even a kitsch romantic song like Rain of Silver (Ed Wilson and Ronaldo Bastos, 1984), Catto never fell into the temptation of imitating Gal, nor of disfiguring her colleague’s repertoire. . The rock arrangements gave freshness to the songbook presented in the crystal clear voice of the referential singer, but care was taken to preserve melodies and lyrics – a sin committed by similar tributes that claim to be avant-garde, but are simply modern. In short, Beauties are things lit inside resulted in a powerful indie rock show. This power was amplified to the maximum in Vaca profana (Caetano Veloso, 1984), but, in a way, it was also in the less intense corner of the samba-canção Só crazy (Dorival Caymmi, 1957), the bluesy ballad Sua estupidez (Roberto Carlos and Erasmo Carlos, 1969) and songs such as the passionate Nãoidentident (Caetano Veloso, 1969), the introspective Recanto obscura (Caetano Veloso, 2011) and the resilient Jabitacá (Junio ​​Barreto, Bactéria e Lira, 2015). A song of poetic and melodic beauty, Jabitacá was a great and less obvious choice that exemplified the vigor of Gal’s discography in the 2010s, also exposed by the memory of the rock Without fear nor hope (Arthur Nogueira and Antonio Cicero, 2015). It was clear that Filipe Catto was love from head to toe when she threw herself into the audience in Dar um rolê (Moraes Moreira and Luiz Galvão, 1971) and that, before, the singer had felt the excruciating pain of indifference and jealousy that eats away at her core. -lyrical of the ballad Nada mais (Lately, Stevie Wonder, 1980, in Portuguese version by Ronaldo Bastos, 1984). There will never be a singer like Gal Costa again. But, fortunately, there are singers like Filipe Catto who, in their own particular way, arrive apotheotic in the emotions of a repertoire that will cross generations like the voice of the singer who released these songs and who, despite being absent, continues to be intensely present in the music and culture of Brazil. .

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