Rolê Carioca celebrates LGBTQIAP+ Pride month – 06/22/2023 – É Logo Ali
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Next Saturday (24), the Rolê Carioca will take place in downtown Rio de Janeiro, a walk that runs through important points in the city’s history, and which since 2012 has brought together hundreds of participants in each edition. This time, the chosen theme honors the LGBTQIAP+ Pride month and will visit important places that marked the fight for rights and social awareness of this community.
Among the points to be visited, on a four-kilometer route that will leave Tiradentes Square at 10 am, will include the João Caetano theaters, the oldest in Rio to host events for this audience, such as the Baile dos Enxutos, still in the 1940s , and the former São José hotel, now operating under the Ibis brand, a meeting point for night events that made history, such as Gayfieira. After a fire in 1931, the Casa de Caboclo was created there, where Madame Satã, a black transformer who would become an emblematic figure of bohemian and marginalized life in old Lapa, would perform for the first time.
Over a little over two hours, visitors will also visit Jacke’s cabarets, where the Sinônimo nightclub, the community’s hot spot, and Casanova, opened in 1937 under the name of Viena Budapest, and one of the oldest spaces in Lapa, where the Dzi Croquettes group would form. The staircase of the Chamber of Councilors will not be missing, where the Ocupa Sapatão movement was born, in honor of councilwoman Marielle Franco, murdered in March 2018, and in defense of the rights of LGBTQIAP+ people.
To spice up the tour a little, the Cine Rex was included, a traditional pornographic and male making-out room. And, at the end, there will be a surprise performance by collectives specially invited to the event.
The script was developed in partnership with researcher, journalist and screenwriter Guilherme Macedo, who sought to bring a critical look to the history of groups made invisible by the heteronormative cis structure since the colonial period: “It is very important that the population of Rio de Janeiro can understand that its history is deeply intertwined with the experiences and occupations of the LGBTQIAP+ community. And it is equally important for this community to feel that it belongs to the spaces it occupies in the present and also to those it has occupied in the past”, he defines.
history and celebration
The Rolê Carioca project, which emerged from the idea of an artistic installation by the M’Baraká studio, was initially thought to be a large public class on urban installations. Beatriz Novellino, spokesperson for the organization, explains that the initiative was so successful that it began to attract more and more people. “These are people who want to get to know more about the city they live in, the neighborhood they frequent, which they sometimes run through, but who have shown us that it is possible to transform their relationship with the city based on the stories we tell. account and that show that the city is a living document”, he says.
The group, which has more than 50,000 followers on social media, is part of a cultural project that researches, catalogs and disseminates content about the historical and cultural heritage of Rio de Janeiro, and is organizing a multiplatform collection that includes guided tours by more 650 routes, database with more than 500 points mapped, videos, games, applications and, of course, the tours. Membership is always free and, according to Novellino, “they bring together families with children and older people who want to get to know the city itself, or who are not from Rio, students, in short, it is a multiple project that embraces all audiences “.
Due to its breadth, the project was one of the 2019 winners of the Rodrigo Melo Franco de Andrade Award, granted by Iphan (National Artistic and Historical Heritage Institute) to initiatives for the preservation and dissemination of historical and cultural heritage.
About the performances at the end of the route, Novellino points out that the intention is “to show a little of the culture of celebration, with a look that we call decolonial, because the party is a celebration, it is also part of the resistance, because we need to be happy and fun moments to celebrate who we are, where we are and what we want to put into the city to transform our city”.
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