Imperatriz, Salgueiro, Tijuca, Tuiuti and Viradouro come out ahead in terms of samba-enredo judging by the Carnival 2024 album

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Album with recordings from the 12 elite schools of Rio’s Carnival shows that Mangueira and Portela devalue excellent plots with average sambas. Cover of the album ‘Sambas de plot 2024’ by Grupo Especial do Carnaval do Rio de Janeiro Vitor Melo Album review Title: Sambas de plot 2024 – Rio Carnaval Artists: various Edition: Editora Musical Escola de Samba (Edimusa) / Recorder Escola de Samba (Gravasamba) / ONErpm (distribution) Quote: ★ ★ ★ 1/2 ♪ If the victory of the Rio de Janeiro Carnival Special Group parade depended solely on the samba-plot aspect, Imperatriz Leopoldinense had everything to win the second title in 2024 Judging by the recordings of the album released today, Saturday, December 2, 2023, National Samba Day, with the bets of the 12 elite schools of the Rio revelry. And the impressive thing is that, strictly speaking, the samba With luck turned to the moon, according to the testament of the gypsy Esmeralda (Jeferson Lima, Rômulo Meirelles, Jorge Goulart, Sílvio Mesquita, Carlinhos Niterói, Bello, Gigi da Estiva, Me Leva, Gabriel Coelho, Luiz Brinquinho, Miguel da Imperatriz, Antonio Crescente, Renne Barbosa and Lucas Macedo) is the result of the combination of two different sambas. The stitching was well done and generated a single samba with a strong chorus and melodic fragments of real beauty. A work worthy of the plot based on a cordel by Leandro Gomes de Barros. However, there are other sambas of the same good level throughout the album Sambas de Enredo 2024, recorded in October in the orchestra rehearsal room at Cidade das Artes, in Rio de Janeiro (RJ), with musical production by Alceu Maia. Salgueiro is up against Hutukara (Pedrinho da Flor, Marcelo Motta, Arlindinho Cruz, Renato Galante, Dudu Nobre, Leonardo Gallo, Ramon Via13 and Ralfe Ribeiro), an agile samba that enhances the strength of the left-wing political plot that exalts the mythology of Yanomani indigenous people. With Glória ao Almirante Negro (Cláudio Russo, Moacyr Luz, Gustavo Clarão, Júlio Alves, Alessandro Falcão, Pier Ubertini and W. Correia), the Paraíso do Tuiuti school maintains the team of composers that has brought prestige to the association in this regard. The plot exalts João Cândido (1880 – 1969), a soldier from Rio Grande do Sul who, in November 1910, led the fight to abolish the whip and slavery in the Brazilian Navy, going down in history as the Black Admiral, a symbol of resistance against racism. . The lyrics mention João Bosco and Aldir Blanc (1946 –2020), authors of another samba-exaltation of the activist, O Mestre-Sala dos Mares (1974). Unidos de Viradouro also remains on the rise in terms of the samba Arroboboi, Dangbé (Claudio Mattos, Cláudio Russo, Júlio Alves, Thiago Meiners, Manolo, Anderson Lemos, Vinicius Xavier, Celino Dias, Bertolo and Marco Moreno), whose plot is the cult of Dambê vodum that migrated from Africa to Brazil. Also among the highlights, Unidos da Tijuca is present with O conto de fados (Júlio Alves, Cláudio Russo, Jorge Arthur, Silas Augusto, Chico Alves and D’Sousa), a samba about the cultural influence of Portugal in Brazil. Unidos de Vila Isabel is hors-concours in the ranking for re-editing the samba-enredo from the 1993 Carnival, Gbalá – Journey to the temple of creation, composed by Martinho da Vila and re-recorded 30 years later with the participation of the author Bamba in the recording pulled by Ito Melody. Alcione participates in the recording of the samba-plot ‘A Negra Voz do Tomorrow’, with which Mangueira celebrates the singer at the 2024 Carnival Disclosure / Edimusa The oldest associations among the 12 gathered on the album, Mangueira and Portela devalue excellent plots with average sambas, the same can be said of Beija-Flor from Nilópolis. Seeking empathy with the public, Estação Primeira will celebrate Alcione with A Negra Voz do Tomorrow (Lequinho, Júnior Fionda, Gabriel Machado, Fadico, Guilherme Sá and Paulinho Bandolim). The artist participates in the recording of the samba, which is not exciting. Portela will raise its voice against racism with the samba-plot Um defeito de cor (Rafael Gigante, Vinicius Ferreira, Wanderley Monteiro, Jefferson Oliveira, Hélio Porto, Bira and André do Posto 7), based on the reference and homonymous book by writer Ana Maria Gonçalves. Beija-Flor will revive Ras Gonguila – the name of Ethiopian royalty as Benedito dos Santos (1905 – 1968), legendary reveler from Alagoas who marked an era in the state capital’s Carnivals from the 1930s – with the samba Um delírio of Carnival in Maceió de Ras Gonguila (Kirraizinho, Lucas Gringo, Wilsinho Paz, Venir Vieira, Marquinhos Beija-Flor, Dr. Rogério, Chacal do Sax, Ramon Quintanilha and Naldinho). The Rio de Janeiro association’s plot is sponsored by Maceió City Hall, but the homage to the city is creative. Academics from Grande Rio, Mocidade Independente de Padre Miguel and Porto da Pedra also perform average sambas. But it could be that the respective sambas Our destiny is to be a jaguar (Derê, Marcelinho Júnior, Robson Moratelli, Rafael Ribeiro, Tony Vietinã and Eduardo Queiroz), Ask for cashew and I’ll give it… Cashew tree that gives it! (Diego Nicolau, Paulinho Mocidade, Marcelo Adnet, Richard Valença, Orlando Ambrosio, Gigi da Estiva, Lico Monteiro, Cabeça do Ajax, Márcio de Deus and W. Corrêa) and Lunário Perpétuo – The prophetic of popular knowledge (Guga Martins, Passos Júnior , Gustavo Clarão, Lucas Macedo, Leandro Gaúcho, Clairton Fonseca, Richard Valença, Gigi da Estiva, Abílio Jr, Marquinho Paloma, Cristiano Teles and Ailson Picanço) grow up on the avenue and turn the game around. Because it is on the avenue that the samba-enredo aspect is really defined, even though the Rio Carnival album always highlights which schools have the best chance of getting top marks.

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