Eduardo Dussek, ace of humor in music, receives award in Rio with ‘lexotamic pleasure’ for his graceful work

[ad_1]

At 66 years old, the artist entertains the audience with a speech that shows that Parkinson’s disease, faced a decade ago, has in no way affected the joy of living. Eduardo Dussek poses with the trophy received in the sixth edition of the ‘Prio do Humor Award’ Karyme França / Disclosure ♪ “It’s a lexotamic pleasure to be here”, joked Eduardo Dussek in the speech in which he thanked him for the honor received in the sixth edition of the Prio do Humor Award , created by actor, director and presenter Fábio Porchat. After awards from actors, directors and playwrights working in the comedy segment of Rio’s theater, the tribute to Dussek closed the ceremony that filled the Teatro Prio last night, March 28, in the city of Rio de Janeiro (RJ). At 66 years old, the singer, composer, pianist and actor from Rio moved and entertained the audience with a speech that showed that Parkinson’s disease – faced by Dussek a decade ago – may have even compromised some of the artist’s movements, who currently has difficulty moving around, but it never affected the wit of this humor ace. Eduardo Dussek was worthy of an award created to celebrate laughter, grace and good humor on stage and in life. Although he is primarily associated with music, as he is the author and performer of hilarious compositions such as Barrados no baile (Eduardo Dussek and Luiz Carlos Góes, 1982) and Brega Chique (Doméstica) (Eduardo Dussek and Luiz Carlos Góes, 1984), Dussek began his career artistic performance in Rio de Janeiro theater, in the early 1970s, as a pianist in musical shows such as Desgraças de uma Crianças (1973). The national projection, however, only came in 1980, when he defended his original song Nostradamus at a TV Globo festival, a year after Ney Matogrosso had legitimized him as a composer by recording Seu type (Dussek), a sensual fox that gave the title in 1979 to Ney’s fifth solo album. The projection at the MPB-80 festival paved the way for Dussek to record albums such as Olhar brasileira (1981) and Cantando no bathroom (1982). Despite his initial success, Dussek’s recording career lost momentum and became spaced out from the 1990s onwards, but the artist remained on the scene, playing shows and working as an actor. Presented by Luiz Fernando Guimarães and Silvia Machete, a singer from Rio who covered the composer’s work in the show Machete Veste Dussek, recorded in 2016 and perpetuated on DVD released in 2017, the Prio Humor Award for Eduardo Dussek had the grace expected from an artist who He always took life and work with joy. Eduardo Dussek (left) with the ‘Prio do Humor Award’ trophy with Luiz Fernando Guimarães, Silvia Machete and Fábio Porchat Karyme França / Disclosure

[ad_2]

Source link