Edu Lobo reaches the age of 80 as the most discreet genius of MPB

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♪ ANALYSIS – Born on August 29, 1943, Eduardo de Góes Lobo from Rio de Janeiro – Edu Lobo, according to his artistic certificate – reaches the age of 80 today as the most discreet genius of MPB. There are no special reports and texts in the cultural sections of the main newspapers in Brazil, as there were in 2022 on the 80th anniversary of Caetano Veloso, Gilberto Gil and Milton Nascimento. And as there will certainly be in 2024 on the occasion of the 80th anniversary of Chico Buarque, Edu’s partner in the creation of anthological soundtracks for dance and theater shows – tracks that began to be eternalized 40 years ago with the release of the album O grande circo místico ( 1983). The absence of hype around the event is in line with the temperament of this singer, composer, versatile musician and arranger who is averse to the spotlight and economical when granting interviews. Disciple of the sovereign mastery of the songbook by Antonio Carlos Jobim (1927 – 1994), with whom he shared the album Edu & Tom – Tom & Edu (1981) as equals, the beginner composer became enraptured with the modernities of bossa nova, as it turned out. explicit on the EP Eduardo Lobo em bossa-nova (1962), a youth record that disappeared in the dust of time. The first relevant title in the artist’s discography was A Música de Edu Lobo por Edu Lobo, recorded with the Tamba Trio and published in 1964. The following year, Edu saw the unprecedented song Arrastão (1965) – partnership with Vinicius de Moraes (1913 – 1980) – winning the first festival of relief in the voice of Elis Regina (1945 – 1982). Two years later, Edu defended the victorious Ponteio (1967) – in partnership with lyricist João Carlos Capinan – in the most important competition of the festival era. But he was never dazzled by the ephemeral glories of fame. At that moment, Edu could have become a pop star, as some market professionals envisioned, but he preferred to retire. Recorded by the greatest female singers in Brazil, Edu Lobo chose to develop the exquisite authorial songbook, reconciling his own authorial identity (clear since the 1964 album) with Jobim’s maximum reference and with the musical influence of his Pernambucan ancestry, inherited from his father , composer and journalist Fernando Lobo (1915 – 1996). The composer’s continuous evolution was evidenced in the five albums – Cantiga defar (1970), Edu Lobo (1973, disc known as Missa breve), Limite das Águas (1976), Camaleão (1978) and Tempo presente (1980) – released on the next decade. A composer who mastered the art of creating melodies and harmonies, Edu usually resorted to lyricist partners such as Aldir Blanc (1946 – 2020), Cacaso (1944 – 1987), José Carlos Capinan, Paulo César Pinheiro, Torquato Neto (1944 – 1972) and Vinicius de Moraes (1913 – 1980), the first relevant partner, lyricist of masterpieces such as Canto triste (1966). Starting in the 1980s with Chico Buarque, Edu composed a series of songs guided by the mastery of both. Beatriz (1983), Choro Bandido (1985) and Valsa Brasileira (1988) are some of these songs that seduce refined voices like Mônica Salmaso, Edu’s favorite singer nowadays. Anyway, any MPB listener and admirer is aware of the dimension of Edu Lobo in the history of Brazilian music. And the artist’s discretion only contributes to making it even greater today, August 29, 2023, the 80th anniversary of MPB’s most reserved genius.

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