Ziraldo published his first drawing at the age of six, was the ‘father’ of Menino Maluquinho and founded the newspaper ‘O Pasquim’

[ad_1]

Dead at 91, designer and writer also created the magazine ‘Bundas’. Ziraldo in file photo. TV GLOBO/CEDOC Known for characters such as Menino Maluquinho and those from “Turma do Pererê”, cartoonist and writer Ziraldo, who died at the age of 91, was always a supporter of reading. “Reading is more important than studying” was one of his most emblematic phrases. The designer’s death was confirmed by his family this Saturday afternoon (6). He died in his sleep, at home, in the Lagoa neighborhood, in the South Zone of Rio de Janeiro. READ ALSO ‘Giant of our Culture’: see the repercussions of Ziraldo’s death PHOTOS: remember the life and career of the designer and writer ‘O Menino Maluquinho’: film of Ziraldo’s work is on Globoplay Ziraldo dies at 91 Ziraldo’s first drawings Alves Pinto was born on October 24, 1932 in Caratinga (MG), where he spent his childhood. The oldest in a family with seven siblings, he was baptized from the combination of his mother’s name (Zizinha) and his father’s name (Geraldo). An avid reader since childhood, he had his first drawing published when he was just six years old, in 1939, in the newspaper “A Folha de Minas”. He began his career in the 1950s, in the magazine “Era uma vez…”. In 1954, he started to write a humor page in the same “A Folha de Minas” in which he had debuted. Ziraldo, the eternal Maluquinho Boy The first years of his career In 1957, he graduated in Law from the Faculty of Law of Minas Gerais, in Belo Horizonte. In the same year, he joined the team of the magazines “A Cigarra” and, later, “O Cruzeiro”. In 1958, he married Vilma Gontijo, his girlfriend of seven years. They had three children, Daniela, Fabrizia and Antônio. In the following decade, he stood out for also working at “Jornal do Brasil”. As in “O Cruzeiro”, he published political cartoons and cartoons. The characters Jeremias, the Good, Supermãe and Mineirinho are from this period. During this period, he was finally able to fulfill a “childhood dream: he published the first Brazilian magazine of its kind written by a single author, bringing together a group led by Saci-pererê, the most important figure in the Brazilian imagination”, says the text. Writer and cartoonist Ziraldo poses for a photo during an interview given in the city of São Paulo, on May 13, 1993. MÁRCIA ZOET/ESTADÃO CONTEÚDO Facing the dictatorship The magazine “A Turma do Pererê” stopped being published in 1964, the from the beginning of the military regime. Five years later, Ziraldo founded, with other comedians, “O Pasquim”. With acidic texts, mocking illustrations and unforgettable characters, such as Graúna, Fradins or Ubaldo, the weekly newspaper entered the fight for democracy in one of the most turbulent political periods in the country. At the same time as they were fighting censorship, Millôr, Henfil, Jaguar, Tarso de Castro, Sérgio Cabral, Ivan Lessa, Sérgio Augusto and Paulo Francis, among other contributors to the newspaper, suffered from it. One day after the AI-5, downloaded on December 13, 1968, Ziraldo was arrested at home and taken to Copacabana Fort. In 1969, he published his first children’s book, “FLICTS”. In 1979, he began to dedicate himself to literature for children. Maluquinho, ‘Bundas’ and ‘Palavras’ His biggest hit, “O Menino Maluquinho”, came out in 1980 and won the Jabuti Prize. It is considered one of the biggest phenomena in the Brazilian publishing market of all time. The success made the character used in cinema, theater, comics, children’s opera and games. In 1997, the character was taken to Marquês de Sapucaí. The Rio school Unidos do Porto da Pedra paid homage to Menino Maluquinho with the plot “No Reino da Folia, Cada Louco com a sua Mania”. In 1999, Ziraldo created two magazines: “Bundas” and “Palavra”. The first was described as “a good-humored response to the ostentation of the ‘famous’ who appear weekly in ‘Caras’ magazine”. The mottos were: “Whoever shows their ass in ‘Caras’ doesn’t show their face in ‘Bundas’”; “The magazine that is the face of Brazil”; and “’Bundas’, the magazine that isn’t ashamed to show its face”. Designer and cartoonist Ziraldo, at work, in a file photo from May 18, 1969. IARLI GOULART/ESTADÃO CONTEÚDO The idea of ​​the publication, which included part of the “O Pasquim” team, was to revive the atmosphere of the old newspaper . “Word” was about art. Ziraldo’s works gain interactive exhibition in Rio

[ad_2]

Source link