With Palme d’Or, Harrison Ford bids farewell to Indiana Jones at Cannes

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The actor received the honor at the premiere of the fifth film in the saga, ‘Indiana Jones and the Relic of Destiny’ this Thursday (18). Harrison Ford poses with the director of the Cannes festival Iris Knobloch when receiving the Palme d’Or in 2023 Valery Hache/AFP With tears in his eyes, Harrison Ford said goodbye, this Thursday (18), to the character Indiana Jones, who helped him to build a legendary career in cinema, and the Festival de Cannes surprised him with an honorary Palme d’Or at the premiere of the fifth film in the saga. “Harrison, we have a surprise for you,” said festival delegate Thierry Frémaux, after calling the 80-year-old American actor to the stage before a special screening of “Indiana Jones and the Relic of Destiny.” This was one of the highlights of the 76th Festival de Cannes, which already awarded an honorary palm to fellow American actor Michael Douglas at the opening of the show. Harrison Ford and Calista Flockhart at the Cannes Film Festival 2023 Loic Venance/AFP Last year, Tom Cruise received the same honor at the premiere of “Top Gun: Maverick”. “I feel very emotional. They say that when people are going to die, they see their lives flash before their eyes, and I just saw that. Much of my life, but not all of my life”, said the actor. “Cannes, I love you too,” he murmured. Fifteen years later The Indiana Jones saga began in 1981 with “Indiana Jones and the Raiders of the Lost Ark”, which was an immediate and worldwide success. The fourth episode was presented in 2008, in Cannes, and the Hollywood star returned to the Croisette, this time under the direction of James Mangold. When stepping on the red carpet, the actor, accompanied by his wife, Calista Flockhart, caused a commotion, especially when the famous soundtrack of the saga, composed by John Williams, was performed. Other cast members also attended the film’s premiere, including Phoebe Waller-Bridge and Mads Mikkelsen. Among the other personalities seen on the red carpet, the chief Raoni, the British filmmaker Steve McQueen and the French rapper OrelSan stood out. The first four episodes of the saga were directed by Steven Spielberg, who attended Cannes in 2008 for the screening of “Indiana Jones and the Kingdom of the Crystal Skull”. The new production is set in the late 1960s, but the writers included a “flashback” that required the use of artificial intelligence to “rejuvenate” Ford’s face for several scenes, in yet another example of recent changes in the audiovisual industry. In the film, Indiana Jones needs to use his hat and whip again to face former Nazi enemies, obsessed with an object manufactured by no less than the Greek sage Archimedes. 3-hour and 40-minute documentary Cannes tends to alternate big Hollywood moments with denser proposals. And this Thursday, the mission fell to the documentary “Youth Spring”, by the Chinese director Wang Bing, with a duration of 3 hours and 40 minutes. Bing is a director who takes as long as he deems necessary (five years this time) to register on film the profound social changes his country is experiencing under the strict rule of the communist regime. Chinese director Wang Bing at the 2023 Cannes Film Festival Christophe Simon/AFP In “Youth Spring”, the filmmaker follows with his camera the millions of young people who leave their villages in the interior of the country to work in textile factories in cities like Shanghai. Filmed discreetly, sometimes even clandestinely, Bing’s works have won awards at various events, such as the Venice or Locarno festivals. One of the highlights of his filmography is “The Ditch” (“A Vala”, 2010), which denounces the forced labor camps for political prisoners in the Gobi desert, in the 1960s, under the terror regime of Mao Zedong. The Chinese director will present another documentary at Cannes, “Man in Black”, filmed in a theater in Paris and featuring just one character, exiled composer Wang Xilin. Another candidate for the Palme d’Or, the German Wim Wenders, is also showing two films at Cannes: a feature film, “Perfect Days”, at the official exhibition, and “Anselm”, a documentary about the artist Anselm Kiefer.

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