‘The Flash’ Embraces Nostalgia with Ezra Miller’s Ezra Miller Performance

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Andy Muschietti, director of the film that opens this Thursday (15), spoke to g1: ‘He is deeply human’, he says about the character. “The Flash” Director Says Superheroes Are Deeply Human A hospital with a floor full of babies is collapsing and nearly collapsing. Alfred tries calling three superheroes and gets no response from anyone. The solution was to activate the fourth option, Barry Allen, the Flash, who at that moment was impatient in the cafeteria waiting for his ultra-caloric sandwich. These are the first scenes of “The Flash”, a film directed by Andy Muschietti, with Ezra Miller in the lead role, which opens this Thursday (15). Resigned, Barry runs off to try to rescue the newborns, a nurse and a guide dog who are about to go up in the air. He is successful in the mission, but still, his frustration with his teammates and his role in the Justice League is visible. Scene from ‘The Flash’, with Ezra Miller Handout/Courtesy Warner Bros. Pictures and DC Comics “He’s deeply human. Of all the superheroes, he’s probably the guy with the most elements of recognition or identification with the public, because he’s so human,” says director Andy Muschietti, who also was in charge of “It: The Thing”, during a conversation with g1. “He himself complains about being the Justice League’s janitor, which is a great start. It puts Barry Allen in a vulnerable position. I think that’s important for people to emotionally relate to the character from his own vulnerabilities.” After saving the babies, Flash returns to the cafeteria and routine as Barry. He’s again late for his job as a forensic scientist, and his father, Henry (Ron Livingston), faces yet another court appearance the next day that may or may not clear him of the charge of killing his wife and Barry’s mother. Nora (Maribel Verdú). Ezra Miller, as Flash, and Sasha Calle, as Supergirl, for the movie ‘The Flash’ Disclosure/Courtesy of Warner Bros. Pictures and DC Comics Saddened by fate, Barry begins to run and run and… run. He runs around so much that he discovers he can rewind time. And fix what he thinks is wrong. When talking about his feat with his friend Bruce Wayne, at this time, Ben Affleck, he is warned about the dangers that it can bring, the butterfly effect and one or another catchphrase or advice, which will obviously be ignored. A multiverse to call his own Secretly, Barry goes back in time, saves his mother, but unintentionally creates a new universe, in which he, Barry 1, neurotic and lonely, who deals with the trauma of loss, meets Barry 2, from 18 years old, who grew up with the close-knit family and became a more relaxed, irritating teenager who is more than excited about the possibility of becoming a superhero, without even questioning the consequences. It’s a little hard not to remember (and look for similarities) of other multiverses that have emerged in recent times, such as the most recent one, in the animation “Spider-Man: Through the Spider-Verse”, which premiered in early June. Even 2021’s “Spider-Man: No Going Home” comes to mind mostly with Tom Holland’s funniest comic strips, comparable to Miller’s. Despite these multiverses all being and happening in different ways, it still gives the impression that “I’ve seen this movie before.” Ezra Miller, as Flash, and Sasha Calle, as Supergirl, in a scene from ‘The Fash’ Disclosure/Courtesy of Warner Bros. Pictures and DC Comics Flash also have their way interesting and engaging. The drama of the neurotic, lonely guy with a still latent childhood trauma and the willingness to do what he considers right gives the emotional charge easy to surrender and relate to. And even justify Barry’s attempt to want to change fate. “Loneliness is a theme in this film and I really wanted to delve into his neuroses and his anxieties in life and basically connect them to the incident that created this character, which was his mother’s murder. This is the trauma that changed his life. life forever”, says Muschietti. “It’s important to the story that he finds a version of himself that doesn’t have that, that all of his anxieties have been removed. The difficulties have been removed precisely because his mother was there. That interaction [entre os dois Barries] it’s important.” Ezra Miller at ‘Vogue’ event, in 2018 Evan Agostini/Invision/AP Ezra Miller does the double Barry 1 x Barry 2 very well. Miller was a problem for the production of the film behind the scenes when he got involved in fights , accusations of harassment and having been convicted of robbery, but he showed that his talent is undeniable by entertaining the public with moments of humor and, a few minutes later, bringing emotion to the most tense and melancholic moments. to seek out affective memories of a distant past? And Muschietti hit hard to bring Michael Keaton back into the retired Batman armor. The actor faced the character in Tim Burton’s “Batman” in 1989 and is arguably considered the best Batmen. Or a well-loved one, which makes the audience sigh by repeating the famous phrase “Wanna go crazy? So let’s go crazy.” In the plot here, Barry 1 and 2 want to find Superman to help them. The best investigator that Barry 1 knows is precisely Bruce Wayne, this time, Keaton, who at first refuses to lend a hand in the mission, but it doesn’t stop them from messing with the batthings, in the batcave, with the batmobile… “I created a kind of complex situation. I didn’t want to have Bruce Wayne in the same place we left him 30 years ago,” says Muschietti. “There’s a lot of uncertainty, some questions about why he’s in this place. I wanted Batman to be at the end of a journey, a mini-journey, at the center of the film, where Bruce Wayne starts out as a reluctant hero and then changes his mind.” it didn’t go down so well for Flash, at least in parts of the film. With the long-awaited entry of the veteran, Miller’s character seemed to be a supporting character in the story itself at one time or another, like the sequence where the missing hero is rescued. however, it does not take away the fun of the film or the justification for it to exist. Quite the contrary, bringing this and other elements hidden in the plot makes you want to follow the saga even more. “For me, personally, it was like a dream come true : bringing in somebody that I never thought would come back, which was this Batman,” says Muschietti. “And I think for most people of my generation it’s exciting to see him come back. I never thought I would be the one to bring him back, but here we are.” In addition to Keaton, the film leaves other easter eggs scattered throughout the film, not only from the DC universe, such as Nicolas Cage, as a Superman who never existed, and other familiar faces from pop culture.” It was a lot of fun [trazê-los de volta]. I think nothing is free in this movie. The appearances of all these beloved characters from other film versions of superheroes are very well woven into the stories,” says Muschietti. “Of course there are a bunch of other characters I would have liked to have used, but we decided on these ones that meant a little bit more. more and that people relate to emotionally.”

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