‘The banshees of Inisherin’ brings together Irish golden trio in absurd discussion about time; g1 already seen

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Filmmaker Martin McDonagh meets Colin Farrell and Brendan Gleeson in a story about a broken friendship on an island in Ireland at the beginning of the 20th century. Award-winning film opens this Thursday (2). At 52, filmmaker Martin McDonagh is one of the best of his generation. “The banshees of Inisherin”, he achieves perhaps his most mature work by combining experience, the cast of his first (and best) film and the bucolic air and acid humor of an island in early 20th century Ireland. dramatic and acidic comedy, which opens this Thursday (2) in Brazilian cinemas with nine Oscar nominations, is the director’s reunion with Colin Farrell (“Batman”) and Brendan Gleeson (Mad Eye Moody, from the “Harry Potter”). The trio recreates much of the magic of the wronged and underappreciated “Na mira da boss” (2008), which only received a nomination for best original screenplay, in a story more palatable to members of the Academy that organizes the award. It’s just hard to know whether the same can be said for the general public. Written by McDonagh himself, “The Banshees of Inisherin” ditches the action and mafia tension of the filmmaker’s debut to embrace a more open and mysterious message – a look at the passage of time and friendship. ‘The Banshees of Inisherin’: watch the trailer for the film Friendship full of fingers “The banshees of Inisherin” tells the story of two residents of the small and peaceful rural island of the title, a place where the few residents spend most of their extensive free time in the pub. The two form a pair of unlikely friends, as the owner of the bar himself classifies, who meet almost every day at the same time to chat and drink a few beers. At least that’s what the characters tell the audience, who find the plot at the moment when one of them, a rowdy violinist (Gleeson), suddenly decides that he doesn’t even want to hear the other’s voice anymore. The decision is so final that, even though the modest cattle rancher played by Farrell insists on resuming the decision, the musician threatens to cut off one of his own fingers and hand it over to his former partner if he is bothered again. Brendan Gleeson and Colin Farrell in a scene from ‘The banshees of Inisherin’ Publicity McDonagh’s patience The beautiful local landscapes filmed by McDonagh, as well as the archetypes presented by the script, leave no doubt that this is a very Irish plot. Across the sea, locals can hear cannon fire from the civil war without giving much thought. Even so, it’s easy to see how the bucolic scenario in which nothing very exciting happens actually serves to receive a very universal discussion. While the violinist worries about the mark he will leave on the world and wants to dedicate himself to finishing at least one last song, the now ex-friend cannot overcome his indifference – even when the results of his obstinacy seem to be catastrophic. At first glance, both behaviors seem exaggerated and overly dramatic. After all, a musician interested in composing cannot give up the fingers that play his instrument. On the other hand, it is inevitable not to think that there are other friends out there. But McDonagh weaves a patient, steady web that slowly shows that, with free time galore and limited options for contacts and locations, anyone could go to such extremes. Colin Farrell in a scene from ‘The banshees of Inisherin’ Publicity The Oscars of Inisherin Even for that reason, of all its nominations “The banshees of Inisherin” has its greatest chances in an original script, despite the mystery behind the motivations and the apparent lack of objectivity of the plot may alienate part of the audience. Even so, the film runs a serious risk of taking the statuette only in that category. Farrell and Gleeson had already shown their improbably perfect chemistry in the 2008 film and almost repeat it in their reunion. A pity that the script itself is based on the growing separation between the characters. This decreases the probability of the double. Farrell still runs the gamut, with his somewhat goofy and innocent performance of a character that gains strength towards the conclusion of the story. The veteran certainly only takes the participation award, since the supporting actor category no longer escapes the lovely hands of Ke Huy Quan, from “Everything in every place at the same time”. The same can be said for the increasingly memorable Barry Keoghan, also remembered for his prim, gloomy village idiot. The excellent Kerry Condon, however, can still surprise among supporting actresses for her remarkable work as the protective sister of the protagonist, who also dreams of leaving a greater legacy for the world. Kerry Condon and Barry Keoghan in ‘The Banshees of Inisherin’

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