‘Indiana Jones and the Relic of Destiny’ saves the hero from the sad farewell of the previous film; g1 already seen

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The character’s fifth film may not be the best in the franchise, but it’s a worthy goodbye after the forgettable ‘Kingdom of the Crystal Skull’. Adventure premieres this Thursday (28) in Brazil. It’s a little sad, but the main reason “Indiana Jones and the Hallows of Destiny” exists is to save the hero from a farewell in the forgettable “Indiana Jones and the Kingdom of the Crystal Skull” (2008). At 80, Harrison Ford returns to his biggest role – yes, even bigger than Han Solo – in an adventure worthy of the archaeologist’s retirement, even if it is far from being among the best in the franchise. The character’s fifth film, which premieres this Thursday (29) in Brazilian theaters, may not be the most surprising. But he understands and embraces his role in Indy’s mythology, and he performs it with the weight and lightness to match the hero’s height – however contradictory that may seem. ‘Watch the trailer for Indiana Jones and Relic of Destiny’ Indiana Jones and Retirement The 15 years that separate “Crystal Skull” and “Relic of Destiny” saw about 12 between the plots. In the new film, Indy is about to retire as a professor of archeology at the university when he is reunited with his goddaughter (Phoebe Waller-Bridge). After years of separation, the young woman wants to locate an ancient artifact built by Archimedes (the famous Greek mathematician) – and needs Indy’s help to get to it before a group of Nazis, the classic villains of the series. It’s not difficult to see the common thread running through all the chapters of the saga. The big difference is Indy’s age, which from the beginning makes it clear that he is no longer the ham-fisted adventurer he once was. That doesn’t stop Ford from regaining the character’s charm and grumpiness. And even convince with some well-placed blows. As much as the need for retirement (in the hero’s career) is an obvious necessity, part of the franchise’s grace has always been the almost cartoonish logic of the action, which allows an 80-year-old man to knock out a 40-year-old henchman without major strangeness. Change of directors From the beginning it is also clear that the director, James Mangold (“Logan”), is not a Steven Spielberg (responsible for the other four films of the hero). And it’s not like he tries to be. Harrison Ford in a scene from ‘Indiana Jones and the Relic of Destiny’ Disclosure His hand, a little heavy at first, over time assumes the more comfortable role of homage to what was built before – which perhaps explains why Spielberg , one of the greatest that ever existed, has decided to leave the farewell to someone else. The screenplay penned by Mangold and three others — two “Ford v Ferrari” co-stars and “Crystal Skull” David Koepp — may not be an Oscar contender, but it has clearly learned from the film’s misplaced bursts of grandeur. de 2008. “Relíquia do Destino” follows the structure of its more celebrated predecessors, without much room for daring or originality. The magic for which the series became known is there, and some may even consider it exaggerated, but, in the end, it is justified by its fit with the emotional tone of the farewell. In the end, despite a pacing problem that makes the more than two and a half hours longer than they should be, the text knows its limitations very well. Mads Mikkelsen and Thomas Kretschmann in a scene from ‘Indiana Jones and the Relic of Destiny’ Disclosure More than putting an Indy unable to get out of any situation with his fist (and the whip), the plot makes this clear in the lineup of Mads Mikkelsen ( “Fantastic Beasts: The Secrets of Dumbledore”), Hollywood’s favorite villain, as the Nazi of the moment. Obvious choice, yes, but little is more “Indiana Jones” than a predictable antagonist. Ford vs. Tempo With these standard tracks established, the good cast has room to do a lot of basics well done. Waller-Bridge (“Fleabag”) reprises her competence as, well, basically the series’ Fleabag. For a second, the discomfort generated by the more naive interpretation used by the British woman is pleasant, but soon she takes on the personality for which she was hired. It would be interesting, however, to see her a little removed from the character. Harrison Ford rejuvenated with computer graphics in a scene from ‘Indiana Jones and the Relic of Destiny’ Disclosure Mikkelsen did not become Hollywood’s favorite villain by chance, and Boyd Holbrook manages to distance himself from the henchman he played in “Logan” (2017) with humor and charisma. But it is Ford himself who carries the film, as it should be. It’s always been clear that Indy is his life role – and that’s clear from the first scene to the last, just before the credits roll. The rejuvenation technology with computer graphics used to exhaustion to make him 25 years younger at times is not on point yet, but without the actor’s mastery of the character, the sequences would border on unusable. With all that said, it’s still hard to determine whether “Relic of Destiny” actually deserved to exist. Maybe if the hero had stayed in the trilogy, with the glorious goodbye in “The Last Crusade” (1989), it would be worth leaving him alone. But at the risk of his legacy ending up in the uncomfortable aliens of “Kingdom of the Crystal Skull”, Indy deserved one last adventure. Phoebe Waller-Bridge and Harrison Ford in a scene from ‘Indiana Jones and the Relic of Destiny’

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