In ‘Mission: Impossible 7’, artificial intelligence is the great villain (in the script and in the plot); g1 already seen

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‘Settlement Part 1’ makes the franchise more absurd and cliché than it should, but Tom Cruise and Hayley Atwell guarantee good times. The film opens in Brazil next Wednesday (12). Artificial intelligence is the great villain of “Mission: Impossible – Reckoning Part 1”, the seventh film in the saga (which was once) of espionage starring Tom Cruise – something that even sounds very contemporary, but which never manages to go beyond the superficial and from the cliché. So much so that the script itself, which features a semi-omniscient digital entity as the antagonist of the time, seems to have been written by a real ChatGPT. The new film opens in Brazilian theaters next Wednesday (12), with special sessions already on Saturday (8) and Sunday (9). vary, dispenses with stuntmen in his scenes – because of a complex plot. But it was not always so. 24 years later, it’s easy to forget that the film franchise, an adaptation of the 1960s series of the same name, started out as a beautiful story of spy, intrigue and twists. The last two films, “Rogue Nation” (2015) and “Fallout Effect” (2018), were the best since the first precisely because they better balanced espionage with action. For fans of the genre, it’s sad to see the brainless side come back to the fore – but those who prefer shots and shenanigans have nothing to complain about. Mission: Impossible – Reckoning Part 1 An unstoppable force against an impossible mission “Account Reckoning Part 1” is, as the name implies, the first half of a story split in two. The conclusion is scheduled for release in June 2024. In that half, infallible spy Ethan Hunt (Cruise) accepts the impossible mission to find a key, which can control or destroy a rebellious artificial intelligence. Standing in its way are, in addition to itself interested in self-preservation, governments around the world, interested in getting such a powerful weapon for themselves. Along the way, he still finds time to save his old girlfriend (Rebecca Ferguson), cross paths with an old enemy (Esai Morales) and meet a possible new ally (Hayley Atwell). Esai Morales and Tom Cruise in a scene from ‘Mission: Impossible – Reckoning Part 1’ Disclosure Or ‘Terminator 0’ The plot, which seems kind of silly on the surface, gets worse with each new detail. The digital villain is called The Entity – and it would be less rude if they called it Skynet right away. After all, with such a plot, the new episode of “Mission: Impossible” looks more like an introduction to the classic “The Terminator” (1984) – which at least knew how to do it with much more class almost 40 years ago. If that wasn’t enough, the scene where the concept is introduced is so poorly written that it almost seems like a parody. As American military and intelligence leaders discuss the existence of this formidable new enemy in a white room, audiences wait for the moment when the camera pulls back to reveal that it’s all just a movie within a movie. Unfortunately, that moment never comes. After that, the screenplay by director Christopher McQuarrie – who repeats his functions from the last two chapters – with Erik Jendresen (“Band of brothers”) gives up any search for the new or surprises. While “Rogue Nation” and “Fallout Effect” stood out for giving Cruise opportunities to do absurd action scenes within intriguing stories, “Account Reckoning Part 1” is content to do just a little bit of the first one – and not that much either. . Tom Cruise and Hayley Atwell in a scene from ‘Mission: Impossible – Reckoning Part 1’ Disclosure There is hope The star at least enjoys his great moments and proves that time will not stop him. Whether it’s a parachute jump from a mountaintop motorcycle to land on a train, or a fight with henchmen in an alley less than a meter wide in Venice, Cruise remains unbeatable. Alongside series newcomer Atwell (Peggy Carter, from “Captain America”), he manages to revitalize the character, who never found such a good balance with the equally competent Ferguson (“Silo”). Even so, his clear taste for running scenes or exaggerated sequences can also be an obstacle without a consistent script. Its senseless runs on top of an airport with an uncontrolled soundtrack are inexplicable (although very well filmed) and are only surpassed (negatively) by the moments of trouble inside a wagon hanging from a bridge. Henry Czerny, Rob Delaney, Indira Varma and Cary Elwes in one of the most inexplicably bizarre scenes in the entire franchise . Unless you believe someone is actually going to let Hunt die in some “Part 1” of life. “Part 2” can still save “Reckoning”. It is enough for the Entity to take off its mask and reveal that all this time it has actually been Jon Voight’s character, the first villain, with a grand plan – or something like that. Yes, this seems like an even more impossible mission, but fans of the series can still dream.

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