Chiquinho de Moraes, genius conductor of MPB, dies in the interior of São Paulo at the age of 86

[ad_1]

Victim of covid, the pianist from São Paulo is immortalized by the orchestral arrangements of records and shows by Elis Regina, Edu Lobo, Erasmo Carlos, Nana Caymmi, Roberto Carlos and Simone, among other names. Maestro, arranger and pianist Chiquinho de Moraes at the beginning of his career, in the 1960s in the credits of the records of the greatest MPB stars of the 1960s and 1970s. Just look for Chiquinho de Moraes, as this pianist and (genial) arranger and conductor from São Paulo who died yesterday, aged 86, at Hospital Césario Lange , in the interior of the state of São Paulo. As Chiquinho’s son, music producer and arranger Otávio de Moraes reported on a social network, the maestro died on Sunday, April 30, as a result of having contracted covid-19 while being treated for cancer. The burial took place at 9 am today, May 1st, at Jardim da Paz Cemetery, in Cesário Lange (SP). “Despite having lived with him a very difficult story in the father-son relationship, as a musician I recognize and highlight his legacy as a conductor, arranger and composer”, emphasized Otávio de Moraes. In fact, if the difficult and lately reclusive temperament of Chiquinho de Moraes was notorious in the musical world, his genius in orchestrating strings and brass was even more known and valued by the cream of MPB. Born in Campinas (SP), Chiquinho graduated in the study of the piano, an instrument he started playing when he was still a child. Afterwards, he studied harmony, counterpoint and fugue with César Guerra-Peixe (1914 – 1993), another conductor recognized for his mastery. A professional musician since he was 14, when he started playing the solovox keyboard in the group of Mário Gennari Filho (1929 – 1989), Chiquinho played the piano at night in the city of São Paulo (SP) until he started working as an arranger for record companies . The first arrangements were made in 1959, at the Odeon, for the singer Celly Campello (1942 – 2003). It was up to the then debutante artist to arrange the famous recordings of Estúpido cupido (Stupid cupid – Neil Sedaka and Howard Greenfield, 1958, in Portuguese version by Fred Jorge, 1959) and Bath of the moon (Tintarella di luna – Bruno Defilippi and Francesco Migliacci, 1959 , in Portuguese version by Fred Jorge, 1960). The arrangements made for Celly symbolized the beginning of Chiquinho de Moraes’ vertiginous climb in the area of ​​orchestration. So much so that, in the second half of the 1960s, Chiquinho started working with Elis Regina (1945 – 1982) on records and shows after having recorded and signed, with Francisco Morais, records such as O baile da Menina Moça (1960) and When the buds meet (1961). At that time, Chiquinho was also the conductor of the musical programs on TV Record, a role that, years later, he would take over on TV Globo and other broadcasters. From 1970 to 1977, the maestro worked with Roberto Carlos on the singer’s records and concerts. In the 1980s, Chiquinho solidified his partnership with Edu Lobo, working on the arrangements of the songs composed by Edu with Chico Buarque for the anthological soundtrack of the ballet O grande circo místico (1983). The stupendous arrangement created by Chiquinho de Moraes for the recording of the song A Máquina Voadora (Ronnie Von and San Martin, 1970) for Ronnie Von’s homonymous album is just one among hundreds of possible examples of the maestro’s mastery. The orchestral brand of Chiquinho de Moraes’ arrangements is printed on records by Caetano Veloso, Chico Buarque, Erasmo Carlos (1941 – 2022) – Erasmo Carlos e Os Tremendões (1970) and Carlos, Erasmo… (1971), albums that they promoted turning point in the career of Tremendão – and Gal Costa (1945 – 2022) in an extensive list that goes from the A of Antonio Marcos (1945 – 1992) to the Z of Zizi Possi, passing through Milton Nascimento, Nana Caymmi and Simone. Finally, the maestro’s mastery is immortalized in MPB. Chiquinho de Moraes (1937 – 2023) – center – in 1973 between Billy Blanco (1924 – 2011), left, and Aloysio de Oliveira (1914 – 1995) Reproduction / Internet

[ad_2]

Source link