‘Poor Creatures’ offers a cinematic experience that disturbs and seduces; g1 already seen

‘Poor Creatures’ offers a cinematic experience that disturbs and seduces;  g1 already seen

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Film nominated for 11 Oscars brings back the partnership between Emma Stone and Yorgos Lanthimos, director of ‘The Favourite’. Anyone who goes to watch “Poor Creatures”, which opens in theaters this Thursday (01), thinking that the production is just a new adaptation of “Frankenstein” or “The Bride of Frankenstein”, may be shocked. Despite having a protagonist who comes back to life after the experience of a brilliant but crazy scientist, the similarities end there. Fortunately, the new film by director Yorgos Lanthimos (“The Favourite”, 2019) goes much further and provokes, makes people think and prevents any indifference — even among those who may be bothered by some of the more intense moments. The countless qualities of “Poor Creatures” resulted in 11 nominations for the 2024 Oscar, such as best film, best director (Lanthimos), best actress (Stone) and best supporting actor (Mark Ruffalo). Watch the trailer for “Poor Creatures” The film also won the Golden Globes for best comedy or musical and best actress in the genre. Inspired by the book by Alasdair Gray, the plot centers on Bella Baxter (Emma Stone), a young woman who lives in a luxurious mansion with Godwin Baxter (Willem Dafoe), who keeps her isolated from the world. The reason is that Bella had actually died and Baxter managed to resurrect her through an experiment where he placed a new brain in her. Increasingly curious about what the outside world is like, as her mind evolves, Bella ends up meeting the malicious lawyer Duncan Wedderburn (Ruffalo), who convinces her to travel with him. On a journey across several continents, she evolves even further as a woman and as a human being, even though many do not understand her points of view outside of social standards. Bella (Emma Stone) dances in a scene from ‘Poor Creatures’ Disclosure Boldness and joy “Poor Creatures” stands out among recent films produced in Hollywood for the creative and unusual way in which Lanthimos tells her story. The director captivates the audience by mixing elements of drama, science fiction and humor with balance and without fear of taking his proposal in unconventional paths. Thus, he creates incredible moments that captivate with their surrealism and the various surprise elements spread throughout the film. Some scenes have an impact, especially due to the way the protagonist experiences the pleasures of sex in its various forms. Others are enchanting due to the visual care that Lanthimos and his team (especially his director of photography, Robbie Ryan, also nominated for an Oscar) create for the film, with beautiful images, both in black and white and in color. Emma Stone (Bella) and Mark Ruffalo (in the background) in a scene from ‘Poor Creatures’ Disclosure The filmmaker once again uses unusual framing, through lenses rarely used in conventional cinema, as he also did in “The Favourite”, and which seems to be becoming his trademark. Even though it may seem repetitive to those who have seen his other films, it never loses the effect of leaving the general public impressed. Another great merit of “Poor Creatures” is the script, written by Tony McNamara (who also wrote “The Favourite”). The text has good dialogues, disconcerting lines and well-constructed characters. The script also develops the story well, which, despite having a small dip near the end, thankfully picks up steam again. Other technical aspects, such as scenography, art direction and costumes help make “Poor Creatures” a great experience to be seen in theaters. Emma Stone plays Bella Baxter in ‘Poor Creatures’ Disclosure Super Powerful Woman But “Poor Creatures” wouldn’t be such a successful project if it weren’t for Stone’s phenomenal performance as Bella. The actress takes risks in a daring role, where she strips away all modesty to perform intense and audacious scenes for someone who has already won an Oscar (for “La La Land”, in 2017) and could only play well-behaved roles during the rest of the film. career. But Emma, ​​who had already shown that she didn’t just want to play kind girls in films like “The Favourite” and “Birdman” (2015), wanted to explore other fields of activity in “Poor Creatures”. She could have done badly with this attempt, but everything went well. She builds the evolution of her character very well, initially presented as a big child, as her mentality is still developing at the beginning of the film. Few actresses could do this job as well as Emma. It’s no coincidence that she has a great chance of taking home her second Oscar. Willem Dafoe plays the mad scientist Godwin Baxter in ‘Poor Creatures’ Disclosure The rest of the cast is also very good. Starting with Dafoe. Under exotic makeup, the actor convinces by making Godwin a strange and ambiguous man. If, at the beginning of the film, he draws attention for his strangeness, in the final part he ends up showing his humanity, which can lead the viewer to feel compassion for him. Ruffalo, although always competent, is not as brilliant in his performance as seen in other films. The actor, also nominated for an Oscar, starts well, especially in the more complex scenes with Stone. But, after halfway through the film, it seems to lose its breath and ends up delivering a performance below expectations. It doesn’t get in the way, but it doesn’t stand out either. Mark Ruffalo plays lawyer Duncan Wedderburn in ‘Poor Creatures’ Disclosure The little-known Ramy Youssef, who plays Max, Godwin’s assistant who is enchanted by Bella, also works well, but doesn’t have much room to stand out more. “Poor Creatures” proves that Lanthimos is truly one of the most interesting directors to emerge in recent years and that he found his muse in Stone. The two, in fact, have already made a third film, “Kinds of Kindness”, which still has no title in Portuguese and is not scheduled for release in Brazil. It will certainly be another work that will give people something to talk about. Bella (Emma Stone) in a scene from ‘Poor Creatures’

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