On Lesbian Visibility Day, remember pioneering singers who joined the cause in music and in life

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Leci Brandão, composer of the gay anthem ‘Ombro amigo’ (1978), is among the pioneer artists in the militancy of the LGBTQIAPN+ movement Marcos Hermes / Publicity “We are already marginalized by society. So we unite, get together and hold hands. And one loves the other without fear and without prejudice. I want people to see my homosexual side as a serious thing, that there is respect”. ♪ MEMORY – The phrase above was said by Leci Brandão 45 years ago in an interview with the newspaper Lampião da Esquina and became eternal in November 1978 with the sixth edition of this remarkable publication aimed at the homosexual public. On the National Lesbian Visibility Day, celebrated on August 29, it is worth remembering singers and songwriters who anticipated the current guidelines of the LGBTQIAPN+ movement and pioneered adherence to the cause in music and in life. Singer and songwriter from Rio de Janeiro, author of the song Ombro amigo (1978), an anthem of consolation for gays who haven’t come out yet, Leci Brandão has always been active and, as far as allowed by censorship, she has positioned herself in the repertoire of albums such as Question of taste (1976) and Things of my people (1977). Before Leci, there was the outspoken Linda Rodrigues (1919 – 1997) – a little-known singer today, but active in the 1940s and 1950s – and there was Dora Lopes (1922 – 1983), author of songs such as Pintura stainada (Dora Lopes and Zairo Marinoso , 1963). It is also impossible to ignore Aylce Chaves (1919 – 1993) – composer of the samba-canção Lama (Paulo Marques and Aylce Chaves, 1952), launched by Linda Rodrigues – and Valeniza Zagni da Silva (1944 – 1978), singer and composer from São Paulo known as Tuca and author of Girl (Tuca and Prioli, 1974). Soon after Leci came Angela Ro Ro, whose anthological first album, released in 1979, contained the authorial song Tola foi você. At the time, Ro Ro was the singer and songwriter who most exposed herself and paid a high price for being “the one who felt, said and did everything” – to quote a verse from Não Há Cabeça (1979) – at a time when great stars of the MPB, like Gal Costa (1945 – 2022), preferred discretion. Angela Ro Ro, composer of the song ‘Tola foi você’ (1979), is an artist who greatly contributed to lesbian visibility. the flag of lesbian activism, occupying a currently recurrent position in the behavior of militant Zélia Duncan. With the LGBTQIAPN+ movement increasingly strengthened in the defense of homoaffectivity in all spheres of society, artists such as Ana Carolina, Marina Lima, Mart’nália, Isabella Taviani, Leila Pinheiro, Maria Gadú, Marcia Castro and Sandra de Sá – partner of Fafy Siqueira in the song Bandeira (1980) – they began to publicly say the names of their lovers. Lesbian or bisexual, these artists were never closeted in the social circles they frequented, as they made clear in the songs they composed and/or recorded. But, in the public sphere, everything was said and implied only in the lyrics of the songs. For this very reason, on the National Lesbian Visibility Day, special applause is due to pioneering activists such as Dora Lopes, Leci Brandão and Angela Ro Ro.

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