Mussum, the podcastis: comedian received criticism about racism, but extolled black pride on TV and in music

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The actor performed controversial humor in ‘Os Trapalhões’, with jokes that mock the color of his skin and, at the same time, teach a moral lesson about racial awareness. Whether in the films or in the sketches of “Os Trapalhões”, Mussum starred in several humorous scenes in which he was mocked due to the dark color of his skin. Jokes like these divided viewers. Some people were rolling with laughter. Others accused the program of racism. Mussum went so far as to say that Brazil was not a country of racial prejudices, but, contradictorily, he stated that Brazilian TV was racist. Despite the criticism he received in “Os Trapalhões”, the artist was proud to praise his blackness and was a fan of José do Patrocínio, one of the biggest names in abolitionism in the country. “Mussum, o podcastis” is a series from g1 and Globo Filmes that, in five episodes, delves into details of the life and career of Mussum, portrayed in the biopic “Mussum, o filmis”. ‘Mussum, o podcastis’ premieres this Thursday Mussum, the multi-artist Mussum is an artist who, like very few others, has established an unparalleled mark on the imagination and culture of Brazil. From his career as a musician with Originalis do Samba to his resounding success in “Os Trapalhões”, Antônio Carlos Bernardes Gomes was a multiple star. He shone on TV, cinema, theater, carnival catwalks, music studios and stages throughout Brazil and within. But do you know how it all started? How did a poor, black young man from the outskirts of Rio de Janeiro become Mussum, an idol for several generations? What were the intrigues and problems he faced? What legacy did he leave? These are some of the questions that “Mussum, o podcastis” answers. Cover of the podcast ‘Mussum, o podcastis’ Acervo Globo

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