Mussum, the podcast: ‘Os Trapalhões’ resulted in legendary character and fights over money

The actor denied having talent as a comedian even at the height of the TV show, in which he once and for all established his fame as Mussum, a character with whom he shared similarities and differences. Known for putting “is” at the end of words, Mussum was one of the protagonists of “Os Trapalhões”. It was with this role that Antônio Carlos established his reputation as a comedian, although he denied having any talent for the profession. Alongside Renato Aragão, Dedé Santana and Mauro Gonçalves, the Rio native recorded 25 films and countless comedy sketches. All this under the name of the greatest quartet in the history of national comedy. But, just like in his career as a musician, in Originalis do Samba, Antônio gained, in “Trapalhões”, not only a legion of fans, but also some headaches, with the impact of his fame and fights over money among the cast. “Mussum, o podcastis” is a series from g1 and Globo Filmes that, in five episodes, delves into details of the life and career of Mussum, portrayed in the biopic “Mussum, o filmis”. ‘Mussum, o podcastis’ premieres this Thursday Mussum, the multi-artist Mussum is an artist who, like very few others, has established an unparalleled mark on the imagination and culture of Brazil. From his career as a musician with Originalis do Samba to his resounding success in “Os Trapalhões”, Antônio Carlos Bernardes Gomes was a multiple star. He shone on TV, cinema, theater, carnival catwalks, music studios and stages throughout Brazil and within. But do you know how it all started? How did a poor, black young man from the outskirts of Rio de Janeiro become Mussum, an idol for several generations? What were the intrigues and problems he faced? What legacy did he leave? These are some of the questions that “Mussum, o podcastis” answers. Cover of the podcast ‘Mussum, o podcastis’ Acervo Globo



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