Juliette’s ‘Cyclone’… Why is her 1st album sexier, more empowered and diverse?

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It is with these adjectives that she defines her debut album, after an EP of cute romantic forró. At g1, Juliette explains why she is more confident and comments on feats with João Gomes and Marina Sena. Juliette explains how the songwriting process was recorded with João Gomes Juliette launches her first album this week. “Ciclone” has partnerships with João Gomes and Marina Sena. It also has lyrics, according to her, “more empowered”. To the podcast g1 heard (listen below and watch videos at the end), the 33-year-old singer from Paraíba also said that she decided to take a chance on more musical styles, without focusing only on the romantic forró of her first EP. See questions and answers about Juliette’s first album: Why is the name ‘Cyclone’? “The meaning is greater than the name itself. Cyclone when it comes, it renews, it ends with everything that was put in place, but it is a possibility of a new cycle, of reinventing itself. It presents a lot of my new phase, because it was all very fast, very strong, very intense, it destroyed some things and I’m rebuilding others”, she explains. The name itself, without thinking too much about its meaning, also enchanted the singer: “It has a cycle, it has the one [um], and has NE, from northeast. It has to be a cyclone. It represents my stage a lot. It was all very fast, strong, intense, it destroyed some things and I’m rebuilding others.” Juliette also says that, as soon as she left the BBB, she said that her life felt like a hurricane, because everything was happening at the same time. “Then there was a storm, a tropical cyclone… When I searched for Juliette on Google, the phenomenon Juliette appeared: and it was in relation to my participation in the BBB and in relation to this hurricane. I kept it in my head.” Why is the sound so different from the EP? Juliette contextualizes: “In my first work, I was somewhat limited and a little hurt. I was kind of vulnerable. So, I stayed in a comfort zone, with very sweet, very sweet and very restrained songs. My voice amplitude was controlled, because I was very afraid, I was afraid of giving a high note and going out of tune.” The lyrics, according to her, were also more restrained than those of now: “They were about what I was living in that period, but in a very romantic way. I wasn’t as empowered.” “Today, I’ve taken ownership of a lot of situations in my life, healed some wounds and feel more confident in music. This record represents me in a totality, because it has several sounds”, she explains. “When I sang more cute, I would re-record it and say ‘no, I want to sing this stronger’.” ‘I was always very assertive and strong’, says Juliette about the new album What are the musical styles of ‘Ciclone’ Even with the diversity of rhythm, Juliette guarantees that she continues to pay attention to what she calls “regional music”, the most traditional sounds of really popular Brazilian music, especially from the Northeast. “These are my foundations”, she sums up. “When I make genuine music, it comes with all my origins. It’s a combo. So, it makes no sense to separate. I seek to balance this, but always with what I like. ‘I like this sound, but what if we put a triangle here?’, ‘What if we put an accordion in the middle of the trap?’, ‘What if we put together an artist of more alternative music with funk?’.” She lists forró, trap and samba as three of the styles that are in his recent playlists. “I expanded and got a nice result. With my roots, but in a modern, young and commercial way.” What are the highlights of the album? Among the most lively songs, “Tengo” is a reference to the sound of the triangle, a typical forró instrument. “It always brings back memories party, animation. I made a joke with the ten in Spanish and the sound of the triangle and with ter a tengo, like ‘I have a borogodó’. It’s a trip, right? I like to travel. And look, I don’t wear anything, I don’t smoke anything, but I like to travel in these things. So I did a mix: a tribute asking Luiz Gonzaga’s permission and doing something original.” “I’m not talking about love”, with João Gomes, has a xote feel and a melody that sticks in the head. The song was created from the phrase “I’m not one to talk about love, but I love it”. “And then, in the middle of the song, I said: ‘Man, imagine João Gomes singing’. I started to imitate. I talk to him on and we started to create and stuff. I said: ‘Now put a piseiro here, because when it’s time for the piseiro we have to dance together, ok?’ And then one would give an opinion, the other would say something. That’s how it was born”. According to her, João asked if the song has a chance of winning a clip. She hinted that there is a chance, yes, of “I’m not talking about love” being the soundtrack for a video. Juliette and Marina Sena in the clip from ‘Quase Não Damoro’ Reproduction of “Quase Não Dating”, recorded with Marina Sena, has already won a clip. “I’ve been going through some disappointments in love in life and I used to say ‘love, after a sip of self-love’… And the letter was born. I showed it to Marina, she loved it. And I really admire her work.” According to Juliette, the clip is very artistic and has “elements of Skakespeare” with a “light and poetic, but mostly sexy way” of conveying the message of the lyrics. “It’s even a ‘little shade’ for those who said I’m not an artist”, he comments, alluding to the controversial statement by Samantha Schmütz questioning whether Juliette was an artist. “Beija Eu” has a hint of Taylor Swift. The song was co-created and sung with Nairo, who has already written for Anitta and Claudia Leitte. “I think she is an artist who left the regional and expanded. She made this move. She left country and made that move to pop”, evaluates Juliette. She said she had seen the documentary “Miss Americana”, about the singer, and was “enchanted”. When the producers showed her the songs, she realized that she had a certain Taylor’s footprint: in the arrangement and in the lyrics “I liked it, because I like it… Nairo has a lot of influence from this type of music too.” How were the songs composed? Most of the songs were created in camps, the ” camps” where she got together with composers and producers in a kind of marathon of creation. “There are several rooms and in each room we gather artists from different segments to try to make a song. I tell them the story, I say what I want… I listen and say what I like and don’t like. We fit a jigsaw puzzle together, it’s kind of like a laboratory.” After that, she goes to another room and repeats the process. Afterwards, she is called to another room… She even says that she was already quite emotional in the “It seems that they all became therapists, they know very deep stories of mine, why I cry… they connect and start to admire me more when I tell my life.” I’ve improved a lot’, says Juliette about her career Why are there such short songs? Another thing that draws attention on the album is that there are very short songs, with just over two minutes. “A little is a reflection of our society, unfortunately”, she laments. “When you listen to a longer song, you get bored faster. I tried to mix it up: some are shorter and others are longer and with denser lyrics, like ‘Ciclone’, for example.” Although she thinks that a good song can be big or small, she has a reservation about the shrinkage of hits on the streaming charts: “I’m sorry about this movement, it’s a crisis. I regret with self-criticism, because I am part of this society that is also in this unbridled rhythm.” How will the ‘Ciclone’ tour be? Juliette Juliana Rocha/Disclosure Juliette says that the tour of “Ciclone” should mix the band from the EP times and musicians She is also expected to change the team of male and female dancers. “I want to broaden the ballet”, she warns. “This more pop type of music calls for a more full-bodied ballet and I am going to do that.” She reports on how the transition from a phase in which there were fewer costume changes and dancing. “Singing and changing clothes is the biggest challenge. When I’m in rehearsal, I’m like, ‘Why did I come up with this to want to be pop, huh? Couldn’t it just be voice and guitar?’ I’ve been preparing a lot.” Juliette also says that she has been living a routine of running on the treadmill and other physical and voice exercises.” I’m passing on the references I want to ballet. We are going to change the style a little, put more performances. I also like something more artistic, more playful. So, everything is falling into place and being directed towards this new livery with this dynamic, but also don’t expect a Beyoncé, no, I still don’t know how to dance. Not like that, but I’m trying.” VIDEOS: Juliette on g1 heard

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