Hits by Roberto Carlos and Erasmo Carlos in the 1960s gain a pop punk aura on an album that opens a series dedicated to the genre

Hits by Roberto Carlos and Erasmo Carlos in the 1960s gain a pop punk aura on an album that opens a series dedicated to the genre

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♪ Forget the caressing tone of Erasmo Carlos’ (1941 – 2022) interpretation of Gatinha manhosa (1965), a partnership between Tremendão and Roberto Carlos. In the approach of the group Os Texugos, Gatinha manhosa is sung with the dirt of pop punk. Also forget the tenderness of Nossa Canção (Luiz Ayrão, 1966) on the original recording by Roberto Carlos. The song gains the rock footprint of Emersson Ramone. The two recordings are part of the 14 phonograms gathered in the compilation O pop é punk – 60’s, the first album in the series planned by the Grudda Records label to generate six volumes dedicated to six decades, going up to the 2010s. , responsible for the reverent interpretation of the rock If you think (Roberto Carlos and Erasmo Carlos, 1968), the album O pop é punk – 60’s has a repertoire collected basically in the Jovem Guarda songbook. However, the selection expands the range of approaches to the songs Alegria Joy (Caetano Veloso, 1967), Roda Viva (Chico Buarque, 1967) and Zazueira (Jorge Ben Jor, 1967) by Estragonoff, Dan & The Gummy Hunters and F. Snipes, respectively. Album cover ‘O pop é punk – 60’s’ Disclosure

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