Bia Góes and Ricardo Valverde go from Ary Barroso to Vander Lee in a vocal and vibraphone album

In the duo album, scheduled for October 6th, the singer and musician also cover compositions by Jacob do Bandolim, Gonzaguinha and Paulinho da Viola. Cover of the album ‘Bia Góes e Ricardo Valverde’, scheduled to be released on October 6th Disclosure ♪ A resonant instrument with keys placed on metal tubes, from which percussive sound is extracted, the vibraphone almost never takes the lead in records. Hence the unusual character of the album Bia Góes and Ricardo Valverde, scheduled to be released on October 6th with the union of the voice of the singer from São Paulo with the instrument of the vibraphonist and percussionist from Bahia – resident in São Paulo (SP) – who directed musical from the artist’s previous album, Nosso floor (2021). In the duo album, recorded, mixed and mastered by Alexandre Fontanetti on July 10, 11 and 12 at the São Paulo studio Space Blues, Bia Góes and Ricardo Valverde cover repertoire ranging from samba-canção by the seminal Minas Gerais composer Ary Barroso (1903 – 1964 ). Restlessness. Along the way, singer and vibraphonist brood over the pain of My First Love (Lejania – Hermínio Giménez, 1937, in a Portuguese version by José Fortuna and Pinheirinho Júnior, 1952), follow in the footsteps of baião Kalu (Humberto Teixeira, 1952), they fall into tears Doce de coco (Jacob do Bandolim, 1951, with later lyrics by Hermínio Bello de Carvalho, 1968), they rekindle Candle in the Pitch (Paulinho da Viola and Sérgio Natureza, 1976), they revive Guerreiro’s heart (Gonzaguinha, 1980) and spread Foams in the wind (Accioly Neto, 1997). With arrangements divided between Jota Moraes, Swami Jr. and the vibraphonist himself, the album Bia Góes and Ricardo Valverde brings in Guerreiro Coração and Meu Primeiro Amor the touch of a string quartet formed by Adriana Holtz (cello), Eder Esli Grangeiro (violin) , Thais Morais (violin) and Tiago Vieira Rocha (viola).



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