‘Avatar: The Way of Water’ remains at the top of the domestic box office for the fifth straight week

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‘Puss in Boots 2: The Last Order’ was in second position, followed by newcomer ‘I Wanna Dance with Somebody’. The sequel ‘Avatar: The Path of Water’ is being released 13 years after the original 20th Century Studios/via BBC film “Avatar: The Path of Water” remains at the top of the national box office. James Cameron’s new feature about the underwater adventure earned R$ 15.2 million and was watched by 617,000 people. This is the fifth consecutive week that the film has held the position since its debut and, as in the previous week, it was followed by “Puss in Boots 2: The Last Order” (R$ 9.8 million). The newcomer “I Wanna Dance with Somebody – The Story of Whitney Houston” (R$ 2.07 million) took third place. Data are from ComScore and refer to the period between January 12th and 15th. “The Fabelmans”, one of the great winners of the Golden Globe, debuted in the country’s cinemas in the fifth position. In total, the ten most watched films this weekend totaled R$ 30.7 million, taking 1.3 million people to cinemas in the country. ‘Avatar: The Path of Water’ is James Cameron’s 2nd dazzling but dull adventure; g1 has seen ‘Terrifier 2’ offers bloody and intense spectacle for horror fans; g1 has already seen ‘The Fabelmans’: Spielberg goes back to his childhood and makes his best film in almost 20 years; g1 already saw Check out, below, the box office data collected by ComScore between the 12th and 15th of January: “Avatar: O Caminho da Água” – R$ 15.2 million “Puss in Boots 2: The Last Order” – R$9.8 million “I Wanna Dance with Somebody – The Story of Whitney Houston” – R$2.07 million “Schema de Risco: Operation Fortune” – R$1.09 million “Os Fabelmans” – R$946 thousand “Hungry Eyes: Renascimento” – R$498,000 “Nas Ondas da Fé” – R$498,000 “Terrifier 2” – R$276,000 “Alerta Máximo” – R$219,000 “Black Panther: Wakanda Forever” – R$ $157,000 Zoe Saldaña and Jon Landau talk technology and family in ‘Avatar: The Path of Water’

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