Audiobooks: Famous artists and authors lend their voices to books

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Actress Tainá Muller and writer Aline Bei talk about the experience of narrating the books. This week, g1 publishes a series of reports on the format that is gaining ground in the country. Famous artists and writers narrate audiobooks for platforms Bianca Batista and Dhara Assis/Arte/g1 The growth in the number of audiobooks available in the country opens up space for artists known to the public and the authors of the works themselves to narrate literature books. On Amazon’s Audible, for example, Otávio Muller narrated “1984”, by George Orwell, actress Gabz recorded “Alice in Wonderland”, by Lewis Carroll and “Dom Casmurro”, by Machado de Assis, was read by Marcos Palm trees. The choice of well-known artists goes beyond a marketing strategy to popularize the format and platforms. “In my experience, the type of voice that works the most, whether in efficiency and even in the quality and comfort of listening to an audiobook, are with theater actors and actresses”, says André Palme, from the Skeelo platform. “That’s because they can hold a longer narrative.” Audiobooks gain space in publishers Celso Tavares/g1 Publishers, however, have also offered the possibility for writers to narrate their own works, as is the case of Jeferson Tenório, with the book “Avesso da pele”, and Aline Bei, who recorded “The Little Choreography of Goodbye” and “The Weight of the Dead Bird”. “When it’s the author, even if he’s more shy and evokes less of the drama of the text, it’s very nice to be in front of your own work, to experience your own story through your voice”, says Aline. This week, g1 publishes a series of reports on the growth of audiobooks and platforms in the country. In this Thursday’s report (11), writer Aline Bei and actress Tainá Müller talk about their experiences when recording narrations for the format. How audiobooks are expected to grow even more in 2024 and could become a priority for publishers Audiobooks: the differences between reading and listening to a book of literature Audiobooks: the platforms available to listen to literature (and other genres) on your cell phone Affective memory A memory that the writer Aline Bei Keep in mind lunch times after getting home from school. It was the moment when, alongside her mother, she heard Eli Corrêa’s voice on the radio in a program in which she read letters sent to the production team in which they addressed the loss of someone, always with the theme of “saudade”. Aline Bei narrated two of her books, ‘The Little Choreography of Goodbye’ and ‘The Weight of the Dead Bird’ Renato Parada According to her, audiobooks refer to this fascination of radio and radio soap operas of the past. “It was a big moment in my childhood,” says the writer. “I confess that I’ve always dreamed of making an audiobook. I know it’s a market that’s still opening up to people, but I love the format and I really wanted to try it.” Aline, who has a degree in performing arts, narrated two of her books. The first, “The Little Choreography of Goodbye”, was made in 2021 and the second, “The Weight of the Dead Bird”, was recorded last year. The experiences, however, were different. “I recorded the audiobook ‘Pequena’ a little after its release and one of the things that pleased me was precisely its freshness. I was working on reviewing the book, I had it in my head a lot. And as I was an actress, my writing process, when It’s already towards the end, it involves a lot of orality”, she says. “Then, that whole scenario, of being in a studio and being in that acoustic, hollow, beautiful thing, where you feel a little alone with your own writing, it was a wonderful experience. I had a lot of fun doing it.” Audiobooks gain space on smartphones and bring the public closer to literature Ana Moscatelli/Arte/g1 In total, there were three sessions to record the narration. Two of them for the actual narration and a third for adjustments. “By Despite my dream of doing it, I thought I would record everything in just one day. The producer warned that the voice gets tired, and I thought that wasn’t going to happen,” she remembers. “And it really does! It was nice to see her getting tired. There comes a time when we stop giving away the shine.” She says that her past as an actress helped her go through the process and she didn’t worry so much about the repercussions. “As it’s my book, with my voice, I felt very free to deliver the book that I hoped to have written and that was still very fresh.” Recording “The Weight of the Dead Bird” was somewhat different from the first experience, according to the writer. The book was released in 2017 and the narration was recorded in April last year. Aline Bei narrated two of her books, ‘The weight of the dead bird’ and ‘The small choreography of goodbye’ Reproduction “It was a book that was further away, I didn’t reread it, I hadn’t done that exercise”, says. “I’m no longer the writer I was when I wrote ‘The Bird.’ The anguish [em reler] it was bigger,” she says. “I understand the author I was. It’s not the best, but it’s a meeting with an old photo of you, and you see how she put her hands in her pockets or the shoes she wore. I changed, I matured and it was beautiful to realize that.” More than one voice Actress Tainá Müller considers herself more of a traditional reading person than an audiobook listener. She wasn’t so familiar with the format until the publisher Companhia das Letras called her to narrate the book “Bom dia, Verônica”, written by Raphael Montes and Ilana Casoy. The work became a series in 2020 in which Tainá plays the protagonist. “It was an interesting proposal, because I had already done the series. There, in the audiobook, I say with many quotation marks, that I had to play the characters that I was already connected to in a very intimate way”, says the actress. “I had to play Janete, Brandão, who were brilliantly played by Camila [Morgado] and Du [Moscovis] and the other characters that appeared. For me, it was a challenge.” Tainá Müller narrates ‘Good morning, Verônica’ and ‘Of love I have lived’, for Companhia das Letras Disclosure “Of course, it is not an interpretation as an actress. It’s a different tone, and I discovered it together with the people at the studio. It’s a reading tone, but it was interesting to give a different color to these lines, even for the person to understand in the dialogue, to understand when another character was speaking.” The work tells the story of Verônica Torres, who works at the São Paulo Civil Police. Paulo, but is away from any investigation. Upon receiving a suspicious anonymous phone call, the police officer begins to investigate an abuser. Tainá says that the challenge was also in being able to maintain the tense atmosphere that is demonstrated in the book and in the series and not cause confusion with the secondary characters. Platforms and publishers rely on artists to narrate works of fiction Ana Moscatelli/Arte/g1 “Care was taken to ensure that the reading was fluid, but not cold, with subtleties of breathing, pauses, lower tones, higher pitches. I led the listener”, he says. “There was a character who crossed Verônica’s path, so I had to make a very quick choice about his tone. And it was a lot of fun, it had this direction of being more hurried, or more dramatic.” She says that she got to do around twenty different voices, but that she didn’t insist on replicating the series’ narrative. “I couldn’t have the slightest intention of imitate Camila or Du, especially because my voice will never reach there. I remember how Du did the scene, but I let go and read it, as if I were actually reading to someone.” In addition to “Bom dia, Verônica”, the actress was also invited to narrate the book of poetry “De amor I have been living”, by Hilda Hilst. The writer, who died in 2004, is the subject of Tainá’s research. Tainá during the recording of the third season of ‘Bom dia, Verônica’ Reproduction/Instagram “It was a delight for me. I always had difficulty with the poetry genre, it didn’t catch me in my stomach”, she says. “Hilda’s poetry made me fall in love with poetry.” The actress says that her process, in this case, was very different, with a different rhythm and pauses strategic. “Poetry is to be read aloud. Hilda herself said that poetry is like a song. The poet is a singer”, she says. “And I let myself be carried away more by the flow, by really feeling it, it’s much more sensorial than literature.” She adds that the audiobook format can be another way of telling a story and that the debate grows by adding additional visions to the plot. Strategic pauses, fluidity and different voices are some of the challenges for recording audiobooks Ana Moscatelli/arte/g1 “More and more we see that a story can be told in infinite ways , with its subtleties, with the choices made when telling it, from the words to the tone”, he says. “It’s very ancestral: we didn’t have writing, the stories were told and interpreted by the teller and each person brought their own interpretation . I’ts very interesting.”

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