‘Why am I not happy?’

The year 2023 has been different for Rafa Kalimann after having faced a crisis at the end of 2022, now exposed by the influencer. She changed practically her entire team, even breaking up with her manager Mario Canivello; she broke up with actor José Loreto, reviewed friendships and also intends to move house in Rio. The changes, according to her, have a purpose: the search for an old Rafa that was forgotten, thrown aside.

“At the end of last year, I thought: ‘it was the most incredible year of my life’. I felt fulfilled professionally in several aspects. I did things that were on my list of goals for life. The year was over, I was at home with my family, I took a breath, looked around and said: ‘why am I not happy?’. I’m not happy. Where is Rafa in all this? Where is my happiness, which is genuine. why I’m here… I’ve been cooling down and becoming distant from this Rafa”, she confessed, when being interviewed by the WOWCAST channel, on YouTube.

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From that moment on, in the midst of an existential crisis, Rafa began to promote changes at the beginning of this year — in January, for example, the end of the relationship with Loreto, after five months together, became public:

“I turned the year around and saw that the only thing that needs to stay is Rafa. I have no room for anything else. Even if I have a lot of love, even if I like and admire someone, I needed Rafa. I changed everything. I changed my whole life. team, with the exception of my brothers, who have been working with me forever. I hope they don’t resign. I changed issues with my family, the house I live in. I’m looking at another house. I changed my relationship, relationships with people, friends. .. I needed to look and understand who walks with the same purpose as mine.

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Rafa Kalimann also said that he felt very vulnerable, exposed, without control of his own narrative.

“You know when I know it’s weighing on me? When I’m on a flight, the plane lands and I’m afraid to take my cell phone out of airplane mode. I’m afraid of what’s happening. I feel vulnerable without control of my narrative, of my image . My desire is to take ownership of my narrative in the face of so much exposure”, he added.

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