Who is Tuna Tudo? Carioca is successful with musical collages and out of tune adjustments; LISTEN to ‘Remix do Plantão’

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Music producer Anderson Nem created a channel where he plays with songs. Mashups and loops are among the hits. Who is Tuna Tudo? You are scrolling through your social network when a video appears with the chords of “Burguesinha”, by Seu Jorge. But the lyrics (listen above) come out a little differently: “Go to the hairdresser! At the hairdresser! At the hairdresser! Go to the hairdresser! Go to the hairdresser, go to the hairdresser, go to the hairdresser, go to the hairdresser!” Share on WhatsApp Share on Telegram Anderson Nem, music producer for Tuna Tudo Gustavo Wanderley/g1 The edit — or loop — is one of several works that went viral on the Tuna Tudo channel, by music producer Anderson Nem. Adding the profiles on Instagram, TikTok and YouTube, Anderson already has more than two million followers. g1 went to talk to the producer at Estúdio Ternário, in Catete, in the South Zone of Rio. And he made us an exclusive remix, with the vignette of Plantão da Globo and Plim-plim. Check it out: Tuna Tudo remixes Globo vignettes for g1 The loops are just a part of Anderson’s creative work. He also does mashups, when the base of one song and the vocals of another are mixed, and what he calls tunings, in which he corrects out of tune voices. Creativity in the pandemic “It was at the beginning of the pandemic that I started, as a hobby, correcting vocal imperfections in existing songs,” said Anderson. “Since I like memes, I started doing this with memes too. I decided to post it on the net to show my friends. It ended up generating a bizarre engagement on my personal profile, ”he recalled. “I said, ‘Wow!’ I’m a music producer. In order not to make my profile messy, I created another one, Tuna Tudo. I invited my friends to participate, and then everyone went there”, he amended. Anderson always interacts with followers. “I started taking requests. I read everyone’s comments. So the profile started to create itself with feedback from people who follow me,” he explained. One of the first tunes was the opening of the drawing “Horse of Fire”. “There is a vocal imperfection in the opening that has already become a classic, everyone recognizes that. I managed to fix [a desafinada], that engaged like hell”, he recalled. How does he tune everything? Anderson said that since the beginning of the channel he has used artificial intelligence (AI) tools to compose his pieces. “Exactly at the beginning of everything, at the beginning of the pandemic, AI was not so evolved. It had some flaws. Over time, and I was always following this technology, it became really cool”, he said. Marcel Sousa, music producer at Ternário Music and partner of Tuna Tudo, explains that the AI ​​can, for example, extract the vocals from a song. “The tool will mark the frequencies. The voice is at the center of the mix, in the spectrum, and the AI ​​manages to separate what is on the sides and isolate the voice, ”he detailed. Artists interact The loops, mashups and tunings are so well done that many times the “edited” artist himself comments on the post. This was the case with “Red Hot Chili Péricles”. Initial plugin text The mashup took the basis of “Give it Away”, from the Californian band, with the vocal of “If I let go of the brake”. “I’m on replay”, replied the sambista in the post. “He loves! He has been following me for a long time!”, celebrated Anderson. Another mix that came together was “Linkin Park da Mata”, with “Somewhere I Belong” and “Eu sou Neguinha?”, by Vanessa da Mata. Initial plugin text And there was also the “forróck” by Xand Avião and The Offspring, joining “Inquilina” to “The Kids Aren’t Alright”. Initial plugin text “I always think of the best challenge. I look for the materials with the highest possible quality, also because I don’t have access to the open tracks”, he said. Anderson stressed that it is not enough to master AI and tools. Having a good musical ear and knowing notes and tones is fundamental. “It’s not just cut and paste. I almost always have to adjust the pitch,” he explained. While Anderson was giving an interview to g1, he was finishing a loop of “Mosca na Sopa”, by Raul Seixas, but changing the terms – “I am the soup that landed on your fly”. “In ‘mosca’, I had to change the tone”, he exemplified. Initial plugin text Hits of the moment, such as “Zona de Perigo”, by Léo Santana, and “Lovezinho”, by young Treyce, were also recreated by Tuna Tudo. ALSO READ: Nelly Furtado asks for copyright for ‘Lovezinho’, and Brazilians say they are open to a deal Treyce: meet the 17-year-old carioca who sings ‘Lovezinho’, a hit that went viral with Xurrasco dancing Initial plugin text There have been people who didn’t like it The “edited” do not always like the result. “I treat them with great affection, care, I don’t expose the person too much. But if she comes to me and says: ‘Can you delete it? It was a very bad moment in my life’, at the time I erase. I’m not a meme page, I try to make it as professional as possible,” he explained. Anderson also recalled that platforms often stop publishing because of copyright — and when that happens, there’s not much you can do. “It’s from the algorithm. I’ve seen an artist try to release their own music on the network and receive a veto because of the robots”, said Anderson. Anderson Nem, music producer of Tuna Tudo Gustavo Wanderley/g1 And there are people who want more But, in general, the repercussion is so great that many ask for complete versions of mashups — the clips that Anderson posts are rarely longer than a minute, when the fans wanted it the entire song. “Sometimes, the artist even accepts it, thinks it’s cool. Here comes the publisher, who says it can’t happen. But it’s a project. This goes forward, because everyone wants engagement”, he promised. Marcel added that progress has already been made in this model of musical co-creation. “The market is not yet prepared to formalize this type of meme. But the speed version, which until recently was crazy, today is already part of the office strategy”, he stressed. A song’s speed is a compact, sped-up snippet to fit in short videos on social media. “People are already talking about releasing ‘normal’ music and 15 days later they release speed”, explained Marcel. “The cool thing about the speed version is that, for example, a song that is funk at 130 BPM becomes 150. Then the guy does that dance”, said Anderson.

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