The Cure returns to Brazil after ten years to perform the best, and longest, show at Primavera Sound 2023

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Robert Smith and company play hits from different eras of the group for 2h30 and close the festival with a post-punk gothic apotheosis. Vocalist of The Cure showed up-to-date tuning and a lot of energy Fábio Tito/g1 At two and a half hours long, The Cure’s show that ended Sunday (3) at Primavera Sound 2023 was not only the longest of the festival, it was also the best. Duration helps, but that’s not all. The gothic post-punk band uses its experience acquired over 45 years of existence to keep the audience, who for the most part had come to see them, on hand from beginning to end. The Cure excites with ‘In Between Days” at Primavera Sound The performance is the British group’s fourth visit to Brazil. After 1987 and 1996, the last time was in 2013 – more than a decade ago. From the top of their 64 years of age, with characteristic messy upturned hair and smudged lipstick, lead singer and only founding member still in the Cure Robert Smith guides the audience on a journey full of sentimental ups and downs and a voice that remains one of the best in rock. Moments more Introspective songs, such as the sequel to “Lovesong” and the new “And nothing is forever”, take turns with the happy and danceable beats of “Friday I’m in Love” and “Close to me”. The Cure close Primavera Sound with apotheosis ‘Boys Don’t Cry’ There are also obvious spaces for singing with your eyes closed and your hand on your chest, as in “Just like heaven”. Even the three songs from his new, yet to be released album, “Songs of a lost world” please with the pure juice of Cure. This is the case of the one responsible for the opening of the presentation, “Alone”. In the first chords, you can see some curious looks from fans trying to recognize the song, confused by the familiarity. At the end, despite timid applause, Smith says the first of his “thanks” in Portuguese. “It’s good to be back”, he adds, in English, with a black t-shirt with the Brazilian flag underneath the blouse, also, of course, black. The Cure during a performance at Primavera Sound 2023 Fábio Tito/g1 “Pictures of you”, the first of six tracks from the album “Disintegration” – for some, the group’s best album – which makes up the long setlist, comes right after and starts everyone to dance still and sing with emotion. “High” holds the mood, but it is the weight of “A night like this” that is the group’s greatest presentation card. “Lovesong” brings out the biggest chorus of the show. “And nothing is forever”, another of the new songs, scatters the energy a little – despite being beautiful. Bassist of The Cure at Primavera Sound 2023 Fábio Tito/g1 The punch of “Burn” shows that despite the long time on the road and line-up changes, the Cure remains technically at its peak. “In between days” opens the fans’ guard, who once again warm up their vocal chords in the chorus, for “Just like heaven” to bring the crowd to the canvas. Sung from beginning to end, the album’s song “Kiss me kiss me kiss me” remains one of the biggest hits of the show. The energy drops again with “At night” and “Play for today”, only to be recovered by “A forest”, which in the long and slow introduction already generates emotional screams. In Smith’s rhythmic solo, the audience claps with Simon Gallup’s bass. With the Cure since 1979, with a three-year gap, he is the oldest member of the band, with the exception of the vocalist. The Cure at Primavera Sound 2023 Fábio Tito/g1 The seven minutes of “From the edge of the deep green sea” are executed perfectly, but a little too long. They don’t help introducing the latest news of the night. “Endsong” is the last one before the first encore and challenges even the most passionate with its more than 10 minutes. With extensive musical moments, the song fits well with the Cure way of being, but loses the audience a little. At this point, the less fanatical, or festival tourists, are starting to leave to avoid the rush. Little do they imagine that there are still 12 songs left – almost an hour of show to go. The Cure plays “Friday I’m in Love” and rocks the Primavera Sound audience. In both encores, the Cure adopts the “one for me, one for you” strategy. The first of these is clearly made up of five songs close to the group’s heart. Played calmly, without rushing, Smith makes noise without paying attention to more timid claps. It’s like that with “It can never be the same”, “Want” and “Charlotte sometimes”. “Plainsong” sounds like something out of a studio session. While some tracks gain new personalities throughout the presentation, this one seems straight out of “Disintegration” – it doesn’t change which team is winning. When he returns for the second encore, Smith ventures a few more words for the audience. Like a good introvert, he mumbles the words inwardly, away from the microphone. All good. He saves the diction for the songs. “Lullaby” opens the last part with a giant web illustrating the screen on the stage. Not everyone knows it so well, but the verses about a spider-man’s hunger are echoed. The Cure at Primavera Sound 2023 Fábio Tito/g1 “Friday I’m in love” gets the audience dancing and opens a sequence to make those who left early regret it. In “Close to me”, Smith allows himself to hold the microphone and walk around the stage, closer to the fans. The party energy, which the most distracted person wouldn’t imagine was ending, remains high with “Why can’t I be you”. To send everyone home with a smile on their faces, the group’s biggest hit, “Boys don’t cry”. Come back soon, The Cure. May the next time not take another ten years.

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