‘M3gan’ is funny, self-aware horror about clever killer doll; g1 already seen

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At a time when films of the genre analyze human nature, this Thursday’s premiere (19) stands out for not taking itself seriously and making fun of its own silly premise. At a time when the best horror films are complex essays on human nature or social yearnings, “M3gan” stands out precisely for knowing how to laugh at its own silliness. The film that premieres this Thursday (19) in Brazilian theaters lives up to the legacy of “Assassin’s Toy” (1988) by not taking itself too seriously and, mainly, by knowing how to make fun of the premise of a doll that kills people. Despite the clear inspiration, this is not, of course, a re-recording. “M3gan” stands on its own feet very well by giving the theme a modern look, while sewing references to current pop culture in the right measure and adding light pinches of social commentary – without moralizing. Watch the trailer for ‘M3gan’ Annabelle is a thing of the past In the film, M3gan is a doll created by an engineer (Allison Williams) for a toy company. Still a (very expensive) prototype, it is tested on the creator’s niece (Violet McGraw), a child who has just lost her parents in a car accident. It may not seem like the best of ideas at first, but with an artificial intelligence that makes it more android than toy, the doll helps the girl deal with grief – until the inevitable moment when the “protect” directive gains the natural addition of an “at any cost”. There are bullies, aggressive dogs and other types that from the first scene are easy targets for the villain. M3gan, Allison Williams and Violet McGraw in a scene from ‘M3gan’ Disclosure Long live M3gan Between predictability and clichés, the screenplay written by Akela Cooper (“Maligno”) based on an idea of ​​hers and filmmaker James Wan (“Supernatural” and “Evil Summoning”) holds up even as it embraces ridicule. Even robot fight the plot delivers. From the very first scene, an over-the-top commercial for a fictional toy that poops and is controlled by tablets, “M3gan” makes it clear that he’s less interested in fear and more in laughter — some of it nervous, some of it sincere. Little Violet (who played a young Florence Pugh in “Black Widow”) provides a great balance to the doll, the movie’s real big star. She dances, she runs like an animal, she sings “Titanium” (by David Guetta and Sia) at unnecessary moments. Multi-purpose, it terrifies as much as it entertains. The great horror movies of recent times have been great at making you think. “M3gan” is a welcome breather for the genre. And, with the sequel “M3gan 2.0” confirmed for 2025, the public should follow its saga for a long time – even though Wan missed the incredible opportunity to name the sequels “Meg4n” and “Megan5”.

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