DJ K: pastor’s son wins international critical praise and prepares European tour with ‘witchcraft funk’

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Paulista DJ K learned to produce by himself and recorded the album ‘Pânico no Submundo’ in his room, in three days. Kaique is 22 years old and charmed Pitchfork and ‘DJ Mag’ magazine. DJ K wins praise from international critics and prepares European tour with ‘witchcraft funk’ The dances in the South Zone of São Paulo are dominated by ‘witchcraft’, a strain of funk that has gained visibility outside Brazil in recent weeks thanks to Kaique Alves Vieira, DJ K. Having never been on a plane in his life, Kaique, 22 years old, will face a tour in Europe after his album “Pânico no Submundo” received praise from Pitchfork, one of the most influential music sites in the world. “DJ Mag” magazine also approved his sound. The “witchcraft” genre is mandelão funk linked to elements that create a horror atmosphere for the music. Kaique also uses rock influences. Kaique is the son of an evangelical pastor. Fábio Tito/ g1 The album that was made in the producer’s room received a score of 7.9 from the site. The grade is higher than that of the Beatles’ “Yellow Submarine” album (the magazine gave it a 6.2), for example. Kaique was invited to play in Europe. He travels in October and will visit countries like France, England and Belgium. There is the possibility of adding more shows to the agenda. “I didn’t even know the magazine, I woke up with a lot of mentions on social networks, I didn’t understand anything. So I went to read the news. Is Pitchfork the name? I thought it was Pitchforte, I had no idea what it was”, says the DJ to g1. “I went to research some mentions, I went on Twitter, I saw people comparing me to Taylor Swift, Beatles, who had a lower score than mine. I don’t even have words to describe what it’s like to be compared and have a higher score.” “Pânico no Submundo” has 15 songs, produced in 3 days; The album was all made in Kaique’s room, on a simple computer on which he taught himself to produce with the FL Studio software; DJ K created his own production company, Bruxaria Sound, and some of the MCs who participated in “Pânico no Submundo” are part of the catalogue; He earned the nickname “Bruxo” for being one of the exponents of “witchcraft”, a subgenre of mandelão funk, a more potent funk style, with repetitions, heavier lyrics and burst bases. “On ‘Pânico’, some MCs came here at my house to record, when it didn’t happen, they sent the audio by message and I just fit the beat”, contextualizes the DJ. The g1 went to Kaique’s house, in São Bernardo do Campo, in the ABC region of São Paulo. During the interview he took on the challenge of making a song in a few minutes. While talking, Kaique separated the samples to be used, put the vignette “DJ K, he’s not producing anymore, he’s doing witchcraft”. With the help of two MC friends, the witchcraft was completed in 22 minutes (listen to the song in the video above). Praise be to funk DJ K was born in Diadema, in the ABC region of São Paulo. Fábio Tito/ g1 Kaique is the son of an evangelical pastor. Despite being from a religious family, he says he has full support from his parents to live with funk music. “I tried to escape, I was a mechanical technician, I did some jobs as an electrician, with my father, but I didn’t last 2 months at the same company. I always ended up going back to music”. Born in Diadema, the young man has always had contact with music and is a rock fan. Kaique’s father played drums and his uncle had a reggae band. “My uncle took me everywhere to see him play and I ended up going to the studio and watching the productions. I was fascinated, I always wanted to make a living out of some musical genre and funk was where I had visibility. But I started with reggae and in rock, which made me develop a taste for the profession.” He says he didn’t insist on these two styles, because “you need a band and instruments to make music”. “In funk, it’s just a computer. So, that was the resource I had: a computer and headphones that worked on one side. baile, but in funk you become a DJ anyway.” So far, he counts the production of at least 200 songs. “My father pretends he doesn’t listen to my music, but my mother sends me videos of him listening to it in the car. But I understand that they don’t like it either. It’s very aggressive, I don’t even listen to the music I produce. I end up listening to a lot of rap, rock and conscious funk, which is more relaxed.” Why does it look like a horror movie? Young man produces music at home. Fábio Tito/ g1 Pitchfork called DJ K’s sound “horrorcore”, a subgenre linked to hip hop that emerged in the late 1980s, when rappers began to create darker lyrics with samples of classic themes from horror films. This quest to create funks with darker beats generated the so-called “witchcraft”. “I made this album to talk about the underworld of the favelas and the literal panic that exists in this place. My peak of listening to music was in the pandemic, when there was chaos within the communities with a lot of clandestine dances. I wanted to bring this medium gloomy for the album, a real panic. It’s not meant to be peaceful, it’s not meant to be listened to calmly”. Kaique defines “witchcraft” as a mixture of what is heard and seen in horror and suspense films, only in a musical format. The idea is to put screams, sinister laughter and deafening noises. In some moments, silence is used to enhance all the noise that comes after. He also uses the treble of the famous “tuin”, a noise that became popular in mandelão style funks. “It’s a lot of things mixed up, which gives you a ‘flicker’ in your head and you don’t understand anything that’s happening, but it has a sound, it’s not just a beat. Inside the favela it’s very accepted and a lot of people like it, we’re becoming a giant move.” Inspiration from horror and suspense films is visible in Kaique’s songs, such as: “Sequência Terrorista do Heliópolis” has an excerpt from the theme of the “Halloween” franchise; “Poison Weed”, he makes a reference to the trilogy “Night of Murder”. The same passage is used in the song “This is not a test”. “I take the movies as a reference that goes beyond funk, I like to do it that way. When I play at dances I mix it with rock, which is a genre I like. I’ve played Evanescence, System of a Down and even Guns N’ Roses in the middle of the slum”. But despite the instrumental focused on suspense and horror, the lyrics of DJ K’s songs follow the forbidden funk. Kaique says he doesn’t interfere with the compositions and each partner MC is responsible for the verses. Pitchfork’s review, however, focuses more on the sound than the lyrics: “If the world were ending and Armageddon was imminent, the São Paulo producer would probably record the air raid sirens before locking himself in a bunker and delirious for the rest of his life. eternity”. Already making money? Kaique will be accompanied in Europe by researcher and journalist from Pernambuco GG Albuquerque. He was the one who convinced the young man to release the album “Pânico no Submundo” and is the producer of the European tour. According to him, DJ k still hasn’t received invitations to play shows in Brazil and continues to be “a small-scale artist”. “He’s a guy who should be playing at festivals, in clubs in São Paulo, but his concert schedule still needs to be filled”, sums up GG. “This economy is turning to Anitta, or artists who, in a few years, will take elements of the sound that DJ K makes and start using them with a delay. These innovations appear in the periphery and are incorporated by pop music. in the gringa to then be looked at by Brazilians is very sad. We should be more attentive to our music, which is not in the obvious places”, completes the producer. Kaique started playing at dances and his main income comes from streaming services such as Spotify. According to Kaique, however, most of his and his production company’s profit comes from TikTok. In addition, the tour in Europe will be quite profitable, of course. “When they told me to go there [Europa], I almost said I wasn’t going, but when I found out about the cost, the favela won… I never left São Paulo, I only went to Minas Gerais by car once. I was in shock the day they asked me to do a show in Europe. I already got my passport, there’s a translator with me to help me, but I was in shock with the idea, I don’t know, playing at a dance for a bunch of people who don’t speak my language.” One of the songs that the gringos will put on to dance it should be “Olha o Barulinho da Cama Renk Renk Renk”, released in 2021. It has already surpassed 17 million plays on Spotify. This one kind of raised my level, I became more known and I made a little money with it.”

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