Carol Biazin, the ‘against’ pop singer: ex-‘The Voice’ recalls the path to Lolla

[ad_1]

In rehearsal, g1 talked to the singer, before the show this Saturday (25) at Lollapalooza. ‘I’d rather have a loyal audience that raises tags to talk about my new music. And I don’t even pay them.’ In a studio in the south zone of São Paulo, Carol Biazin tries to move in a voluminous blue outfit that she will wear at Lollapalooza. She shows the costumes to a part of her band. “What was that outfit supposed to be? A jumpsuit?”, asks the guitarist. “No, it’s several coats glued together,” the costume designer explains. The outfit made with several coats will be one of the looks of the show on Saturday (25) of the 25-year-old singer from Paraná. “Playing in Lolla is like a confirmation for me, like ‘you did the right thing’, you know? ‘You were on the right track’. Before, I’ll be in a mess, but then it’s all gone. Usually, I’m so in ecstasy that when you see it, it’s over”, she tells g1. She evaluates the current phase, since it was revealed in 2017, on “The Voice Brasil”. “I think I changed not only physically. I changed my voice, my way of writing. I feel safer with things.” Carol Biazin was part of Ivete Sangalo’s team and ranked second on ‘The Voice Brasil’, in 2017 Divulgation/TV Globo She says the 45-minute show will be “like a big party”. Almost every performance will be based on the album “Reversa”. The second album of her career came out last month, with a story told, backwards and in three acts, about the end of a relationship: Carol dated fellow singer Day Limns for four years. They ended in 2022. In the same year, when she went to Lolla for the first time, she told a friend that she would be on stage at the festival the following year. “I hadn’t been invited or anything, I just played for the universe.” Caroline dos Reis Biazin lived in three cities in Paraná (São João do Ivaí, Campo Mourão and Curitiba) before going to São Paulo to try her luck as a singer. “I lost my accent a little bit,” she says. “I think there’s still a bit of that strong ‘r’, right? People make fun of me a little. They think I’m from the interior of São Paulo.” The shyness and country air were also lost, as “fucking” opened up. In 2016, she competed on Band’s “X-Factor,” a reality show that left her with more trauma than fond memories. “I was very inexperienced, I couldn’t communicate with people. I couldn’t make friends quickly,” she recalls. “I got there and there was a very relaxed crowd. Everyone was dressing strangely and I said: ‘Damn, I’m here with my T-shirt and jeans and such… how am I going to attract attention here?’ .” Elimination in one of the early stages left her feeling insecure. The fact that she thought she was too normal also contributed to this. “I felt inept”, summarizes Carol. “I felt like I wasn’t capable of being an artist, of doing what I wanted to do. I thought, ‘Damn, I think I’m too ordinary for this.’ Carol felt like giving up music, in more ways than one.” I had entered the Faculty of Music in Curitiba at that time and I remember that I called my father crying a lot. He was trying to calm me down. I was very stressed and very out of it. Then he said: ‘Come here and stay with us’.” He spent a month with his parents in Campo Mourão trying to “reconnect somehow with music”. Cover of the EP ‘S’, released by Carol Biazin in 2019 Reproduction Her parents made her see that that first blow was part of the course. “They talked to me a lot, they said that I had received my first big no.” But wait, didn’t you pass the “X Factor” selection? ” It really is, right? Like, I passed. There were 30,000 people in line. They put this idea in my head, they gave me a dose of self-esteem. And then I went back to college.” She had barely returned to her studies, when the invitation to “The Voice” came. She was chosen after sending two covers: one of “Send my love”, by Adele; another of “Bang”, by Anitta. “Everybody was doing acoustic covers of pop music at the time.” In the recordings of these versions and in the presentations in search of the spot in reality, she decided to wield the guitar. She had already been denied once in the program and wanted, this time , do different. Four chairs turned over and she ended up on Ivete Sangalo’s team. “The city stopped to see me, it was really crazy”, she recalls, smiling. “The crowd kept saying: ‘Man, it’s a girl from here’. It was like it was the cup final for them. It was a great experience, from there I got a big audience for myself. The one that was real pressure. You have to live to understand.” Carol Biazin Publicity/acid.vk Long before finishing second on “The Voice”, Caroline already knew she wanted to sing around. The first time she noticed that she was good at it was when she was eight years ago, during a family beach trip. Real family, with cousins ​​and uncles who insisted that she sing for them. “At the time, that Jason Mraz song ‘I’m Yours’ was playing a lot, and I was trying to learn. I got up on the kitchen counter and I started to play, kind of clapping my hands”, she recalls, imitating a kind of drumming. “My parents were thinking: ‘where does this girl come from?’ They were impressed.” She started taking guitar lessons, encouraged by her family, but it took her a long time to learn her first instrument. “She had a systematic thing. I’m just like her, I’m a Taurus too, so she had said that I had to learn to play first, then we’ll see if it’s going to work, otherwise you’ll leave the guitar lying down.” After almost a year of classes, she won the dream instrument (taking into account that the kitchen counter in the beach house is not an instrument, of course). “I got it one Easter, just before my birthday. And then he gave me this black Giannini guitar. I don’t have it anymore, I made the mistake of selling it, but I really regretted it.” From there, she did what she had to do: from bar shows to home recordings. “I recorded and edited everything myself. It wasn’t the best quality, because I didn’t know how to mix, but it was what I had.” Feat with Glória Groove, hit by Luísa Sonza Cover of the single ‘Rolê’, by Carol Biazin with Gloria Groove Press Release Her career gained momentum with songs like “Raio X”, with Dilsinho, and “Rolê”, with Glória Groove. The projection brought a nickname adopted by fans and by herself: “Carol is against”. “I saw myself a lot as this artist who likes to go the extra mile to get somewhere,” she explains. “I’m kind of swimming against the tide, I’m kind of against myself. I try to escape as much as I can from being conventional, which can be a defect, depending on the point of view.” Singing music by other artists made her understand the songwriting process better. She went on to write for other artists, such as Rouge and Vitão. But it is “Penhasco”, sung by Luísa Sonza, the biggest hit co-written by her. She separates things very well: everything is much more personal when you are composing for your own career. It doesn’t seem to be so easy for Carol to always be in the spotlight. In one of the pre-Lolla rehearsals, she starts awkwardly surrounded by the band: a septet basically all women (only the drummer is a boy). “I wanted to feel like one of you,” she says absently. “I have to stay here, everyone watching me.” She gives a slight sambada. “What if I fall? You can fall.” Meanwhile, one of the two backing singers makes a good point about the sound coming out of her headphones, saying that she hears “an echo from a church toilet”. Carol agrees that there is a certain conflict in her artistic life: what she wants for her career vs. what is expected of you. To what extent is this part of being more of a pop diva a concession to be made for your career? “Everything I’ve been doing is a lot of patience,” she explains. “My whole life was like that, everything was lay a brick, lay cement, lay another brick,” she compares, gesturing with one hand on top of the other. “I’d rather do it that way a thousand times and have a loyal audience that raises tags to talk about the new music. And I don’t even pay them. They just like me”, she says, laughing. “Sometimes you reach a mass, and it’s beautiful. Tomorrow, you won’t have that big hit to hold this crowd… So, I prefer things to happen slowly, because maybe I’m not ready to hold an audience big. I’m not going to change overnight just to please people.” But she wants to be heard by as many people as possible, of course. “I can’t imagine my grandmother listening to pop music, pop has a younger, more niche audience”, she defines. “But my mother knows who Jão is, ‘Idiota’ burst the bubble, he sings a universal theme… ‘Penhasco’, by Luiza, reached my grandmother, she knows.” And it’s not just because she was composed by her own granddaughter, of course.

[ad_2]

Source link