Brisa Flow: who is the first indigenous artist to perform at Lollapalooza

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Daughter of Chilean craftsmen, the rapper sings about love and praises the indigenous warrior in the album that she will present at the festival. ‘The Brazilian likes indigenous music, he just doesn’t know why he doesn’t get it’, she tells g1. Brisa Flow grew up with music everywhere at home. Daughter of Chilean artisans, her path to becoming an artist was a natural one. The rapper was born in Sabará (MG), had her first contact with hip hop at the age of 13 and keeps her origins very close to her and the work she does. She debuts at Lollapalooza this Friday (24th) and makes history as the first indigenous woman in the line-up. SCHEDULE: See show times for Lolla 2023 GUIDE: Find out everything you need to know about the festival TRANSMISSION: g1 broadcasts all shows until Sunday “We need to have indigenous artists at Latin American festivals, especially because we are talking about Abya Yala de 800 peoples, right?”, he tells g1. “How are we going to have festivals and festivals and festivals of Latin American music out of 800 indigenous peoples without any indigenous people? With few black people? With few trans people?” Brisa will take other people from the band to the festival and developed the costumes in partnership with Vicenta Perrotta, from the TRANSmoras atelie, a space focused on developing transgender people to work in the fashion market. “From the moment that everything is image, sign, language… we see it on stage, we see it in video clips, we break down racism, xenophobia, transphobia”. ‘Janequeo’ Brisa Flow Publicity/Desna The third studio album of Brisa’s career talks about love and exalts the warrior Janequeo. She was tired of seeing stories about important leaders go unrecognized. “I wanted to bring an album that talked about love and war from another perspective that wasn’t just violence. I wanted a perspective that people could talk about us, broaden the debate”. “We are here today because there were very brave warriors. Janequeo was a very brave woman, who assembled an army to fight those who were attacking her people.” The show’s setlist mixes rap with ancestral songs, jazz, electronic and neo/soul, in addition to songs from previous albums. Ian Wapichana (vocals and guitar), Vênus Garland (keyboards), Beatriz Lima (bass), Victor Prado (horn) and Pitee Batelares (drums) will be in the rapper’s band this Friday. Among the references they have in music, Brisa chooses five: Mercedes Sosa, Violeta Parra, Racionais, Lauryn Hill, Tupac. “[As duas primeiras] they were the people I listened to since I was a little girl and I managed to relate that to rap in a very strong way, even if they are different rhythms”, “These are lyrics that basically say the same things about our needs for life, basic needs for access, health, to good living. “I saw a lot of relationship with Racionais and Mercedes Sosa. It was a very similar text and it was the way I managed to continue the seed of my family going forward by telling the story of people who are fighting for survival in a world of pressure here in Latin America”. Difficulty reaching the masses “Brazilians like indigenous music. They just don’t know why it’s not enough for them, so I think these doors need to be opened in the media, on television, on the radio”, says the rapper. She argues that if there were more space, the conversation would be different with the broad masses. “Brazil was created on top of colonialism, right? So the cultural base sometimes keeps us from wanting to listen”. But, hopefully, the rapper sees opportunities arising when she is invited to play at Lollapalooza, for example, and goes further: “We already have indigenous people who sing forró, who sing electronica, rock and roll, rap, trap, drill… there is a very wide range and not only in Brazil”.

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