Bebeto Alves receives homage from colleagues and companions at the show Pela Ultima Vez

Bebeto Alves receives homage from colleagues and companions at the show Pela Ultima Vez

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Bebeto Alves sang that, in the footsteps of his boots, he took the streets of Porto Alegre. And now, five months after the death of the multi-artist and composer, Bebeto will be taken by the boots of his companions to the stage, for the last time. The band that accompanied him for two decades will take to the stage of Theatro São Pedro (Praça Marechal Deodoro, s/n) this Wednesday, at 9 pm, all of Bebeto’s dreams, alongside big names in the Rio Grande do Sul music scene.

Humberto Gessinger, Duca Leindecker, Vitor Ramil, Flavio Adonis, Mauro Moraes, Nelson Coelho de Castro, Neto Fagundes, Gelson Oliveira, Igor Conrad, Shana Müller, Rodrigo Fishman, Thiago Ferraz and Veco Marques are among those who will pay homage to life and to the work of the giant artist who was — and will always be — Bebeto Alves. The show For the last time will be commanded by the band that accompanied the musician since 2003, Os Blackbagual. The show takes place on the date that marks the 19th anniversary of the release of the group’s first album. Tickets are on sale on the Theatro website, starting at R$80.00. All income from the show’s box office will be donated to the Associação Peito Aberto, an institution that helps children with lung problems, the cause of the musician’s death.

The musicians rehearse for the show at the oldest music studio in Porto Alegre, Tech Audio, which was the stage for the recording of all the group’s albums, in addition to being confused with the history of Rio Grande do Sul music itself, having already accumulated almost half a century of history and received the biggest names of the regional scene. “On the first day, it was just the three of us. We kept looking around, and Luke said ‘Looks like he’s going to open the door and come in’. Rodrigo replied, ‘No, he’s already in there'”, moves her. up Corsetti. Navigating Bebeto’s verses is almost like the great navigations, a journey full of discoveries, unraveling the mysteries of a unique artist. “People come here, we’re playing and everyone says ‘man, how did he write that? Look what this guy was doing!’ It’s recognition,” he says.

The journey is revealing even for those who have followed in his footsteps for decades. “The look is different now, right?”, says Reinheimer. “There are songs that we found difficult to play, the structure he made sometimes wasn’t a perfect square. It’s because he had a lot to say, so sometimes it all didn’t fit in a verse of poetry. He was verbose. all.”

The verses, melodies and arrangements will be, for the last time – or once more, perhaps it’s fairer to say. After all, Bebeto Alves will always be a reference, he will always be ingrained in the sound that comes out of any instrument in Rio Grande do Sul, such is his greatness and influence. In music and art, his and others’, he lives forever.

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