Aldair Playboy: who is the singer who took ‘False Love’ to 1st place in Brazil and even the training of the Russian national team

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First, he won the Northeast with the ‘little sign of friendship’ and João Pessoa’s battalion. Now, the chorus hit ‘happy birthday to you’ has Neymar singing and Marquinhos bouncing, while Aldair’s career takes off in Brazil. Aldair Playboy Press Release Aldair Brito da Silva is 21 years old, but he seems to have lived twice as long. He begins to be known throughout the country with the hit “Amor False”. But, in addition to singing “happy birthday to you, who made me understand / that my passion is not you”, Aldair Playboy also… … worked as a painter, plasterer and car wash assistant. … was part of the Playboys’ Swing group, where he earned his stage name. … stood out in the scene of the so-called “batidão de João Pessoa”. … he left the community of Planalto da Boa Esperança, on the outskirts of the capital of Paraíba, and began to become known throughout the Northeast. … featured songs with daring lyrics like “Vai take” and the catchphrase “make the little sign of friendship”, which became his trademark. … risked a more romantic song, “Amor False”, which exploded and took his voice to Russia, where Neymar put the hit for Marquinhos to roll before the national team training (see below). Initial plugin text But wait a minute, Aldair’s list isn’t over yet. Here are other recent personal facts… …. he is expecting the arrival of their fifth child – his wife is four months pregnant, and they already have Davi, Radassa, Joaquim and Guilherme. … Aldair was raised by his grandmother, who was a maid. Last year, Aldair saw her have a heart attack and die in front of her, in the evangelical church she attended. … the grandmother did not see his biggest professional leap: he was hired by the agency Luan Promoções, the same as Wesley Safadão. “False Love” was re-recorded with Aldair, Wesley and MC Kevinho. “I’ve followed Safadão since I was little, I’m a fan. I still can’t believe it. I lie there wondering if what’s happening is true”, says Aldair. In this case, he was lying on a bed in a hotel in Piauí, talking to G1 on the phone before a show. “I think I’m in Bom Jesus”, he ventures (yes, that was the same city). “I’m tired here”, says the singer who currently performs an average of 30 concerts per month. Tired, but not desaminated. He knows that the 52 million views of “Amor False” (adding together the YouTube clips of the solo version and with Wesley and Kevinho) indicate a unique chance to become a national name. “Here in the Northeast I already have a large audience. This song will make a change. It came to complete what was missing.” Batidão by João Pessoa “It has a mixture of reggae, forró and the verbiage and way of singing of the funk singer”, Aldair tries to define. João Pessoa’s beat is similar to the brega-funk from Recife or the arrocha-funk from Rio and SP. It is one more end of the current union between popular music from the Southeast and Northeast. Aldair Playboy is the second name from the Northeast in 2018 to surprise the public further south and reach the 1st place in streaming in the country, after the “Engagement” of Pernambucan Loma. And behind Aldair comes the brand new MC Bruninho (PE), whose “Jogo do amor” is already on the verge of leadership. In Paraíba, the mixture of popular local dance rhythms with funk is more reggae-oriented, with a lot of keyboards. Over there, Dodô Pressão and Gil Bala are other big local names (see below). “Before there was a lot of prejudice, a lot, against these songs. There were places that we couldn’t play. Some had even given up singing, because they had been in the fight for a long time. playing now that it’s being well accepted”, says Aldair. Love won Before “Amor False”, the lyrics of Batidão spoke much more about sex than about love. “I’ve done a motel motorcycle, sitting on top of the bench / And the girl on top of me with her dress lifting / Slithering and bouncing”, sings Aldair in “Vai take front”, for example. So much so that he didn’t even bet so much on the romantic “Fake love”. The composition is not his. It was offered by three authors from Ceará: Rogerinho, Felipe Ennzo and Walber Cássio. Aldair hesitated, but recorded. “Without investing anything in the music, I put it on the internet and it exploded”, he describes. The romantic turn goes in the same direction as funk from São Paulo, whose more passionate tracks are also doing well. In the Northeast, there are those who speak of “romantic beat” – whether for artists from Paraíba, like Aldair and Dodô, or for those from Recife, like MC Bruninho. In practice, they take a turn and approach the original, more emotional brega again. Singer from Paraíba Aldair Playboy Press Release Rock has lost If you go to a party in João Pessoa and make a horn sign with your hand to pose as a rocker, you will be in trouble. The gesture, associated with heavy metal in the rest of the world, is the same as the “little sign of friendship”, which became Aldair Playboy’s trademark – he mentions it in several songs. But where did that come from? “In Paraíba we make this horn sign to make fun of the guy who is a cuckold. And at the time we started doing shows, it became a joke among our team. In the end, for us, it ended up becoming the ‘little sign of friendship’. Then I started saying it on stage and in the songs”, explains Aldair. Rumo ao Sul Aldair already performed in São Paulo after releasing “Amor False”. “The difference was very big. Now I’m more recognized. There are people I knew before, they knew about the little sign of friendship and such, and now there are those who found out about ‘Fake love'”. The idea now is to invest more in the romantic line and less in the sexual one. He has already released “Deixa eu faz te happy”, with Márcia Felipe, close to Valentine’s Day. He cites a next song from the work whose title has a high potential for suffering: “I still love you, but I’m leaving”. Aldair says the hit has given him fans from a wider range of ages. “After this song, in my dressing room, people come in who are old enough to be my grandmother”. Speaking of grandma, the only time he gets less excited is when he says the grandma who raised him didn’t get to see his success. “She encouraged me a lot. She even took money from the fair so I could go to the studio”, he recalls. Jackson who? Another memory of Aldair is walking in the center of João Pessoa with his grandmother and she explains whose statue was in the middle of the way – the fellow Paraíba Jackson do Pandeiro, honored with a sculpture in the Rio Branco square. When he tells this story, the chance arises to finish this text in a very self-conscious way: comparing Aldair’s challenge at the beginning of his career to the path of the master from Paraíba with humble origins, who went from menial jobs to the musical conquest of the Northeast and after Southeast. But Aldair didn’t go much further than his grandmother’s basic explanation, and he doesn’t even remember exactly what she said about Jackson do Pandeiro. The musical inspirations he cites are much more random: Rodriguinho dos Travessos (“some people say I sound like his son”) and Chris Brown (“every time I listen to it, it gives me positive energy”). When saying what he would like to do in the future of his career, he praises Chris Brown again and explains: “I really like to mix things up: forró, pagode, samba, American music.” As the guy in the statue would say, a mix of gum and banana. Funk gains northeastern flavor

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